<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>a writer's group</title>
	<atom:link href="http://lniggl.wordpress.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://lniggl.wordpress.com</link>
	<description>From Script to Screen, a Writers Dream</description>
	<lastBuildDate>Mon, 21 Jul 2008 17:56:31 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
<cloud domain='lniggl.wordpress.com' port='80' path='/?rsscloud=notify' registerProcedure='' protocol='http-post' />
<image>
		<url>http://s2.wp.com/i/buttonw-com.png</url>
		<title>a writer's group</title>
		<link>http://lniggl.wordpress.com</link>
	</image>
	<atom:link rel="search" type="application/opensearchdescription+xml" href="http://lniggl.wordpress.com/osd.xml" title="a writer&#039;s group" />
	<atom:link rel='hub' href='http://lniggl.wordpress.com/?pushpress=hub'/>
		<item>
		<title>Screenwriters Lab mixers</title>
		<link>http://lniggl.wordpress.com/2008/07/21/screenwriters-lab-mixers/</link>
		<comments>http://lniggl.wordpress.com/2008/07/21/screenwriters-lab-mixers/#comments</comments>
		<pubDate>Mon, 21 Jul 2008 17:56:31 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[siminars and classes]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=78</guid>
		<description><![CDATA[Here are some great networking opprotunities!     ScreenPlayLab Industry Mixer on Monday, July 21st&#8230; Meet with upbeat industry players who are writers, actors, directors, producers, managers, entertainment attorneys, composers, more. Meet in the secret backroom at Sharky&#8217;s Mexican Grill. Order inexpensive Mexican food at the counter and bring with you into backroom. $3 margaritas [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=78&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Here are some great networking opprotunities!</p>
<p> </p>
<p> </p>
<p>ScreenPlayLab Industry Mixer on Monday, July 21st&#8230;</p>
<p>Meet with upbeat industry players who are writers, actors, directors,<br />
producers, managers, entertainment attorneys, composers, more. Meet in<br />
the secret backroom at Sharky&#8217;s Mexican Grill. Order inexpensive Mexican<br />
food at the counter and bring with you into backroom. $3 margaritas in<br />
the backroom only. Sharky&#8217;s Mexican Grill, 435 N. Beverly Dr., Beverly<br />
Hills. Monday, July 21st, 2008, 6pm to 9pm+. FREE.</p>
<p>RSVP at www.screenplaylab.com</p>
<p>COMEDY WALK on August 14th&#8230;</p>
<p>What a great crowd we had on July 10th! If you weren&#8217;t at COMEDY WALK<br />
you really missed it! Six stages, 23 comedians, 90 minutes. Our next<br />
show is August 14th, downtown L.A. By the way, anyone who&#8217;d like to help<br />
me as a production assistant or Mini-DV camera operator, email me. FREE<br />
tickets.</p>
<p>www.comedywalk.com</p>
<p>Women in Film Breakfast on July 18th&#8230;</p>
<p>Women in Film presents The Beverly Hills breakfast with Michael<br />
Lombardo, President of the Programming Group for Home Box Office,<br />
responsible for HBO Films, Sports and Entertainment. 8am at Sinigual<br />
Restaurant (formerly El Torito) at 9595 Wilshire in Beverly Hills, $35<br />
includes breakfast. (310)657-5144.</p>
<p>Women in Film Dinner on July 23rd&#8230;</p>
<p>Women in Film presents Walter Mirisch, past president of the Motion<br />
Picture Academy, and producer of &#8216;The Magnificent Seven&#8217;, &#8216;Some Like it<br />
Hot&#8217;, &#8216;The Pink Panther&#8217;, &#8216;In the Heat of the Night&#8217;. Mixer at Nonna<br />
Restaurant, 9255 W. Sunset Blvd., West Hollywood. $35 includes dinner.<br />
(310)657-5144.</p>
<p>Screenplay-in-a-Month Starting Now&#8230;</p>
<p>Screenplay-in-a-Month is a program I lead to help screenwriters get<br />
their screenplays done. A lot of workshops will help you start a<br />
screenplay, but this is the only one to help you finish it. Half done?<br />
Stuck on page 1? No idea what story to write? You can complete a<br />
screenplay in one month. $299.</p>
<p><a href="http://www.screenplaylab.com/siam.html" target="_blank"><span style="color:#003399;">http://www.screenplaylab.com/siam.html</span></a></p>
<p>ScreenPlayLab Mission&#8230;</p>
<p>ScreenPlayLab is more than 2,700 upbeat producers, actors, writers,<br />
directors, agents and executives working on comedy and light drama for<br />
television and film. FREE membership. FREE events. To join send an email<br />
to <a href="http://lniggl.wordpress.com/mc/compose?to=info@ScreenPlayLab.com"><span style="color:#003399;">info@ScreenPlayLab.com</span></a> with the subject &#8216;Subscribe&#8217;.</p>
<p>Love you guys!</p>
<p>Robin<br />
&#8211;<br />
ScreenPlayLab<br />
Beverly Hills, California<br />
www.ScreenPlayLab.com</p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/78/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/78/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/78/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/78/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/78/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/78/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/78/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/78/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/78/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/78/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=78&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/07/21/screenwriters-lab-mixers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>Great Tindings</title>
		<link>http://lniggl.wordpress.com/2008/07/15/great-tindings/</link>
		<comments>http://lniggl.wordpress.com/2008/07/15/great-tindings/#comments</comments>
		<pubDate>Tue, 15 Jul 2008 17:29:07 +0000</pubDate>
		<dc:creator>skivvy</dc:creator>
				<category><![CDATA[a - writing]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=74</guid>
		<description><![CDATA[Last Tuesday&#8217;s meeting was simply stupendous!  Although nothing planned in particular, the evening progressed rather smoothly.  Looking  forward to the next meeting<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=74&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Last Tuesday&#8217;s meeting was simply stupendous!  Although nothing planned in particular, the evening progressed rather smoothly.  Looking  forward to the next meeting</p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/74/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/74/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/74/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/74/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/74/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/74/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/74/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/74/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/74/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/74/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=74&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/07/15/great-tindings/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/289feb76de93873482301563b2ca363e?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">skivvy</media:title>
		</media:content>
	</item>
		<item>
		<title>Free Writing Class this Summer</title>
		<link>http://lniggl.wordpress.com/2008/06/25/free-writing-class-this-summer/</link>
		<comments>http://lniggl.wordpress.com/2008/06/25/free-writing-class-this-summer/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 19:01:32 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[siminars and classes]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=72</guid>
		<description><![CDATA[Dear Writers,     I&#8217;d like to invite you to participate in an autobiographical writing class this summer.  As screenwriters, working with the material of your own life will help you to build a library of dramatic ideas, settings, characters and stories from which to draw in writing screenplays.  Sharing life stories with a diverse group of people [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=72&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div>Dear Writers,</div>
<div>    I&#8217;d like to invite you to participate in an autobiographical writing class this summer.  As screenwriters, working with the material of your own life will help you to build a library of dramatic ideas, settings, characters and stories from which to draw in writing screenplays.  Sharing life stories with a diverse group of people is an invaluable tool for screenwriters to spark poignant, true-to-life ideas.  The present group is a fascinating mixture of ages and backgrounds and class members give supportive feedback.  You&#8217;ll learn step-by-step techniques for remembering, reflecting and writing about your life clearly and vividly.   It&#8217;s offered through LA City Schools and is free.  What could be better?   Class meets Wednesdays, from 2—4:30 p.m. at the Simon Wiesenthal Center Library &amp; Archives,   <span class="yshortcuts" style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;">1399 South Roxbury Drive, Los Angeles, 90035</span>.  For more information: <span class="yshortcuts" style="cursor:hand;border-bottom:#0066cc 1px dashed;">310-772-7605</span> or <a rel="nofollow" href="http://lniggl.wordpress.com/mc/compose?to=Library@wiesenthal.net" target="_blank"><span class="yshortcuts"><span style="color:#003399;">Library@wiesenthal.net</span></span></a><span style="font-family:Times New Roman CE;">. </span><span style="font-family:Calisto MT;">(This is an ongoing class and you can join anytime.  Summer session from July 9-August 13.  Fall semester begins Sept. 3.)</span></div>
<div>    I&#8217;m attaching a flyer.   Please also pass this information on to anyone else you know that might be interested.</div>
<div>    Best wishes,</div>
<div>    Jeanette Shelburne</div>
<div> </div>
<div>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center">
<table border="0" cellspacing="0" cellpadding="0" width="100%">
<tbody>
<tr>
<td style="background-color:transparent;border:#ece9d8;">
<div>
<p class="MsoNormal" style="margin:0;"><strong><em><span style="font-size:small;"><span style="font-family:Arial;">Free Class</span></span></em></strong></p>
</div>
</td>
</tr>
</tbody>
</table>
<p><strong><span style="font-size:14pt;"><span style="font-family:Arial;">Westside Education &amp; Career Center</span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:2pt 0;" align="center"><strong><span style="font-size:14pt;"><span style="font-family:Arial;">and </span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:14pt;"><span style="font-family:Arial;">Simon Wiesenthal Center Library</span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:3pt 0;" align="center"><strong><span style="font-size:14pt;"><span style="font-family:Arial;">present</span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span style="font-size:small;"><span style="font-family:Arial;"> </span></span></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span style="font-size:small;"><span style="font-family:Arial;"> </span></span></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span style="font-size:small;"><span style="font-family:Arial;"> </span></span></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span style="font-size:small;"><span style="font-family:Arial;"></span></span><span style="font-size:small;"><span style="font-family:Arial;"></span></span><br /><strong><span style="font-size:14pt;font-family:Tahoma;"> </span></strong></p>
<p></p>
<p class="MsoNormal" style="margin:0;"><strong><span style="font-size:14pt;font-family:Tahoma;">Record your special memories and family history. </span></strong></p>
<p class="MsoNormal" style="margin:12pt 0 0;"><strong><span style="font-size:14pt;font-family:Tahoma;">Explore and share the richness of your life experience with others.</span></strong></p>
<p class="MsoNormal" style="margin:12pt 0 0;"><strong><span style="font-size:14pt;font-family:Tahoma;">Leave a precious legacy for future generations.</span></strong></p>
<p class="MsoNormal" style="margin:12pt 0 0;"><strong><span style="font-size:14pt;font-family:Tahoma;">Learn step-by-step techniques for remembering and writing about your life clearly and vividly.<span>  </span>No writing experience is necessary.<span>  </span></span></strong></p>
<p class="MsoNormal" style="margin:12pt 0 0;"><strong><span style="font-size:14pt;font-family:Tahoma;">Make use of the Simon Wiesenthal Center Library and Archives resources for further research and exploration of your family history.</span></strong></p>
<p class="MsoNormal" style="margin:12pt 0 0;"><strong><em><span style="font-size:14pt;font-family:Tahoma;">Even if you’re not ready to start writing, there is no pressure—come join us to hear our fascinating stories and meet others in your community. </span></em></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:16pt;"><span style="font-family:Arial;"> </span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center">
<table border="0" cellspacing="0" cellpadding="0" width="100%">
<tbody>
<tr>
<td style="background-color:transparent;border:#ece9d8;">
<div>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><em><span style="font-size:9pt;">Free parking at the </span></em><em><span style="font-size:9pt;">Museum of Tolerance</span></em></span><em><span style="font-size:8pt;"><span style="font-family:Arial;"> </p>
<p></span></span></em></p>
<p class="MsoNormal" style="margin:0;"><em><span style="font-size:8pt;"><span style="font-family:Arial;">9786 West Pico Blvd (southeast corner of Pico Boulevard and Roxbury Drive)</span></span></em></p>
<p class="MsoNormal" style="margin:0;"><em><span style="font-size:8pt;"><span style="font-family:Arial;"> </span></span></em></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><em><span style="font-size:8pt;">Park in garage, take elevator to street level, then cross to diagonal corner.</span></em><em><span style="font-size:8pt;"></span></em></span></p>
</div>
</td>
</tr>
</tbody>
</table>
<p><strong><span style="font-size:16pt;"><span style="font-family:Arial;"> </span></span></strong></p>
<p></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:20pt;"><span style="font-family:Arial;">Wednesdays, 2:00—4:30 p.m.</span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span style="font-size:small;"><span style="font-family:Arial;"> </span></span></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:14pt;"><span style="font-family:Arial;">6 week Summer Session: July 9—August 13</span></span></strong></p>
<p class="MsoNormal" style="margin:0;"><em><span style="font-size:small;"><span style="font-family:Arial;"> </span></span></em></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Arial;"><strong><span style="font-size:18pt;">Simon Wiesenthal Center Library and Archives<br />
1399 South Roxbury Drive—third floor<br />
Los Angeles, CA 90035<span>  </span></span></strong><strong><span style="font-size:20pt;"></span></strong></span></p>
<p class="MsoNormal" style="margin:0;"><strong><span style="font-size:16pt;font-family:&quot;"><span style="font-family:Arial;"> </span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="text-decoration:underline;"><span style="font-size:14pt;font-family:Tahoma;">No Fee</span></span></strong><strong><span style="font-size:14pt;font-family:Tahoma;"><span>           </span><span style="text-decoration:underline;">Register in class</span> <span>    </span><span>    </span><span style="text-decoration:underline;">Class is ongoing—join anytime.</span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="text-decoration:underline;"><span style="font-size:8pt;font-family:Tahoma;"> </span></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:14pt;font-family:Tahoma;">For more information: 310-772-7605 or Library@wiesenthal.net</span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:11pt;font-family:Tahoma;">Instructor: 818-702-8693 or Shelburne@aol.com</span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:8pt;font-family:Tahoma;"> </span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><em><span style="font-size:8pt;font-family:Tahoma;">All educational opportunities are available without regard to race, color, national origin, gender or handicap</span></em></strong></p>
<p><strong><span style="font-size:8pt;font-family:Tahoma;">DIVISION OF ADULT AND CAREER EDUCATION </span><span style="font-size:8pt;font-family:Tahoma;">*</span><span style="font-size:8pt;font-family:Tahoma;"> LOS ANGELES UNIFIED SCHOOL DISTRICT</span></strong></div>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/72/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/72/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/72/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/72/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/72/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/72/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/72/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/72/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/72/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/72/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=72&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/25/free-writing-class-this-summer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>FYI for writers information</title>
		<link>http://lniggl.wordpress.com/2008/06/25/fyi-for-writers-information/</link>
		<comments>http://lniggl.wordpress.com/2008/06/25/fyi-for-writers-information/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 18:55:37 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[a - writing]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=71</guid>
		<description><![CDATA[The following are organizations willing to provide free information to writers. While every attempt is made to ensure that FYI listings are purely informational and accurate, the WGAW does not endorse any of the following listings or the information they provide. Government Departments Medical Authorities Religious Information Psychological References Miscellaneous WGA Departments Points of Interest [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=71&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The following are organizations willing to provide free information to writers. While every attempt is made to ensure that FYI listings are purely informational and accurate, the WGAW does not endorse any of the following listings or the information they provide.</p>
<p align="center"><a id="top" name="top"></a><a href="http://lniggl.wordpress.com/wp-admin/#gov">Government Departments</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/#med">Medical Authorities</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/#rel">Religious Information</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/#psych">Psychological References</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/#misc">Miscellaneous</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/#wga">WGA Departments</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/#poi">Points of Interest</a></p>
<p align="center"><a id="gov" name="gov"></a><strong>Government Departments</strong></p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone/Internet</strong></td>
</tr>
<tr>
<td>Air Force</td>
<td>310/235-7511</td>
</tr>
<tr>
<td>Air Traffic</td>
<td>805/265-8206<br />
<a href="mailto:natcazla@hidesert.com">natcazla@hidesert.com</a></td>
</tr>
<tr>
<td>Army</td>
<td>310/235-7621<br />
<a href="mailto:keplerb@earthlink.net">keplerb@earthlink.net</a></td>
</tr>
<tr>
<td>Board of Education</td>
<td>562/922-6111</td>
</tr>
<tr>
<td>Bureau of Alcohol, Tobacco, Firearms &amp; Explosives</td>
<td>John Torres<br />
213/534-2450<br />
<a href="http://www.atf.gov/" target="new">www.atf.gov</a></td>
</tr>
<tr>
<td>Centers for Disease Control and Prevention (CDC)</td>
<td>Hollywood, Health &amp; Society at the<br />
USC Annenberg Norman Lear Center<br />
800/283-0676<br />
<a href="http://www.usc.edu/hhs" target="_blank">www.usc.edu/hhs</a></td>
</tr>
<tr>
<td>Coast Guard</td>
<td>310/235-7817</td>
</tr>
<tr>
<td>Drug Enforcement Admin.</td>
<td>213/894-3515</td>
</tr>
<tr>
<td>F.B.I.</td>
<td>310/477-6565</td>
</tr>
<tr>
<td>Federal Emergency Mgmt. Agency</td>
<td>202/646-2996<br />
<a href="mailto:holly.harrington@fema.gov">holly.harrington@fema.gov</a></td>
</tr>
<tr>
<td>Fire Department</td>
<td>323/881-2411<br />
<a href="http://www.lacofd.org/" target="new">www.lacofd.org</a></td>
</tr>
<tr>
<td>Human Relations</td>
<td>213/974-7611</td>
</tr>
<tr>
<td>Marine Corps</td>
<td>310/235-7272 fax: 310/235-7274<br />
<a href="mailto:mcmeence@hqmc.usmc.mil">mcmeence@hqmc.usmc.mil</a></td>
</tr>
<tr>
<td>Navy</td>
<td>310/235-7481<br />
<a href="mailto:directorbob@earthlink.net">directorbob@earthlink.net</a></td>
</tr>
<tr>
<td>Police Department</td>
<td>213/485-3586 fax: 213/847-1760</td>
</tr>
<tr>
<td>Sheriff&#8217;s Department</td>
<td>323/526-5531</td>
</tr>
<tr>
<td>Veterans Admin. Media Office</td>
<td>310/268-3340 (Beverly)<br />
fax: 310/268-4264</td>
</tr>
</tbody>
</table>
<p align="center"><a href="http://lniggl.wordpress.com/wp-admin/#top">Back to FYI Index</a> <!--Medical Authorities--></p>
<p align="center"><a id="med" name="med"></a><strong>Medical Authorities</strong></p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone/Internet</strong></td>
</tr>
<tr>
<td>All-inclusive Health Topics including:</p>
<p>National Cancer Institute, HRSA Division of Transplantation, Agency for Healthcare Research and Quality (medical errors)</td>
<td>Hollywood, Health &amp; Society at the<br />
USC Annenberg Norman Lear Center<br />
323/782-3311<br />
<a href="http://www.usc.edu/hhs" target="_blank">www.usc.edu/hhs</a></td>
</tr>
<tr>
<td>Amer. Med. Assoc. (AMA)</td>
<td>312/464-5000</td>
</tr>
<tr>
<td>Anesthesiology</td>
<td>800/562-8666</td>
</tr>
<tr>
<td>Alcohol/Drug Use</td>
<td>800/488-DRUG (3784)</td>
</tr>
<tr>
<td>Blindness</td>
<td>213/663-1111<br />
<a href="mailto:communications@brailleinstitute.org?subject=attn: Carmen Applegren">communications@brailleinstitute.org</a></td>
</tr>
<tr>
<td>Brain Research, Brain Imaging (MRI<br />
and other techniques), Human Learning<br />
and Memory, Reading and Dyslexia</td>
<td>Russell A. Poldrack, Ph.D.<br />
<a href="mailto:poldrack@ucla.edu">poldrack@ucla.edu</a></td>
</tr>
<tr>
<td>Child and Teen Health</td>
<td>847-434-4MRT (4678)<br />
<a href="mailto:6719112@archwireless.net">6719112@archwireless.net</a></td>
</tr>
<tr>
<td>Chiropractic/Holistic/Alternative</td>
<td>Dr. Lieberman<br />
310/858-6099</td>
</tr>
<tr>
<td>Cosmetic Surgery</td>
<td>Dr. Andrew Berman<br />
310/278-3223<br />
<a href="mailto:drandrewberman@beverlyhills-surgery.com">drandrewberman@beverlyhills-surgery.com</a></td>
</tr>
<tr>
<td>CPR</td>
<td>310/281-2753</td>
</tr>
<tr>
<td>Dentistry</td>
<td>Judy Covar Rubins<br />
818/783-2770</td>
</tr>
<tr>
<td>Dentistry (General &amp; Cosmetic)</td>
<td>Nidhi Pai<br />
650/323-4222</td>
</tr>
<tr>
<td>Diabetes (Type 2) and<br />
Juvenile Diabetes (Type I)</td>
<td>Toll Free: 888/533-9255<br />
310/203-9486<br />
<a href="mailto:Flynnadv@earthlink.net">Flynnadv@earthlink.net</a></td>
</tr>
<tr>
<td>DNA and Genetics</td>
<td>Debra Robertson, Ph.D.<br />
858/792-8019<br />
<a href="mailto:drobertson@forensicstudygroup.com">drobertson@forensicstudygroup.com</a><br />
<a href="http://www.forensicstudygroup.com/" target="new">www.forensicstudygroup.com</a></td>
</tr>
<tr>
<td>Emergency Medicine &amp; Pediatrics</td>
<td>Michelle Shuffett, MD<br />
310/995-6075<br />
<a href="mailto:mshuffett@yahoo.com">mshuffett@yahoo.com</a></td>
</tr>
<tr>
<td>Gay and Lesbian Med. Assn.</td>
<td>415/255-4547<br />
fax: 415/255-4784<br />
<a href="mailto:GLMAMedia@aol.com">GLMAMedia@aol.com</a></td>
</tr>
<tr>
<td>Health Care Research</td>
<td>301/656-3100<br />
<a href="http://www.equals3.com/" target="new">www.equals3.com</a></td>
</tr>
<tr>
<td>Immunology</td>
<td>414/272-6071<br />
<a href="mailto:info@aaaa1.org">info@aaaa1.org</a></td>
</tr>
<tr>
<td>Infertility</td>
<td>818/781-6800<br />
818/776-8700</td>
</tr>
<tr>
<td>Lymphoma</td>
<td>310/204-7040<br />
<a href="mailto:larfa@aol.com">larfa@aol.com</a></td>
</tr>
<tr>
<td>Medical</td>
<td>818/707-2270<br />
<a href="mailto:ab141@lasn.org">ab141@lasn.org</a></td>
</tr>
<tr>
<td>Medical Information Guides</td>
<td>301/656-3100<br />
<a href="mailto:globalone@erols.com">globalone@erols.com</a></td>
</tr>
<tr>
<td>Medical Storyline Development</td>
<td>718/389-9800<br />
<a href="mailto:cinemaworldstudios@earthlink.net">cinemaworldstudios@earthlink.net</a></td>
</tr>
<tr>
<td>Medical Technical Advising<br />
&amp; Family Relationships</td>
<td>Michelle Shuffett, MD<br />
310/312-6075<br />
<a href="mailto:mshuffett@yahoo.com">mshuffett@yahoo.com</a></td>
</tr>
<tr>
<td>National Society of Genetic Counselors, INC</td>
<td>Janice Berlinger<br />
718/226-6181</td>
</tr>
<tr>
<td>NSA (Stuttering)</td>
<td>949/661-2215<br />
<a href="mailto:irate99@yahoo.com">irate99@yahoo.com</a></td>
</tr>
<tr>
<td>Nursing</td>
<td>Ellen Langsam, RNC<br />
818/992-8929<br />
<a href="mailto:langsame@aol.com"><span style="color:#003399;">langsame@aol.com</span></a></td>
</tr>
<tr>
<td>Oral Surgery</td>
<td>818/995-8601</td>
</tr>
<tr>
<td>Organ Tissue Donation and Transplantation</td>
<td>310/203-9486<br />
<a href="mailto:flynnadv@earthlink.net">flynnadv@earthlink.net</a></td>
</tr>
<tr>
<td>Pain Management</td>
<td>617/667-5558</td>
</tr>
<tr>
<td>Pancreatic Cancer</td>
<td>Toll free: 877/272-6226<br />
<a href="mailto:eflynn@pancan.org">eflynn@pancan.org</a></td>
</tr>
<tr>
<td>Pediatrics<br />
American Academy of Pediatrics</td>
<td>800/433-9016 ext. 7873<br />
fax: 847/228-5097<br />
<a href="mailto:mrt@aap.org">mrt@aap.org<br />
</a><a href="http://www.aap.org/mrt" target="new">www.aap.org/mrt</a></td>
</tr>
</tbody>
</table>
<p align="center"><a href="http://lniggl.wordpress.com/wp-admin/#top">Back to FYI Index</a> <!--Religious Information--></p>
<p><a id="rel" name="rel"></a></p>
<p align="center"><strong>Religious Information</strong></p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone<br />
Internet</strong></td>
</tr>
<tr>
<td>Baha&#8217;is of L.A.</td>
<td>323/933-8291</td>
</tr>
<tr>
<td>Catholicism</td>
<td>818/846-8141</td>
</tr>
<tr>
<td>Christian Film &amp; TV Comm.</td>
<td>888/248-6689<br />
<a href="mailto:tlsnyder42@aol.com">tlsnyder42@aol.com</a></td>
</tr>
<tr>
<td>Christian Science</td>
<td>Kim Robert Walker<br />
714/994-2169<br />
<a href="mailto:compubsca@cssocalifornia.com">compubsca@cssocalifornia.com</a></td>
</tr>
<tr>
<td>Christianity</td>
<td>805/383-2000</td>
</tr>
<tr>
<td>Mormons</td>
<td>LeAnn Hull<br />
310/475-7018<br />
800/533-2444<br />
<a href="mailto:publicaffairsla@aol.com">publicaffairsla@aol.com</a></td>
</tr>
<tr>
<td>Muslims and Islam</td>
<td>Imran Anwar<br />
<a href="mailto:imran@imran.com">imran@imran.com</a></td>
</tr>
<tr>
<td>Scientology</td>
<td>Public Officer<br />
213/960-3100<br />
<a href="mailto:ccinternational@earthlink.net">ccinternational@earthlink.net</a></td>
</tr>
<tr>
<td>Theological Accuracy</td>
<td>Paul Viggiano<br />
<a href="mailto:pastorpaul@integrity.com">pastorpaul@integrity.com</a></td>
</tr>
</tbody>
</table>
<p align="center"><a href="http://lniggl.wordpress.com/wp-admin/#top">Back to FYI Index</a> <!--Psychological References--></p>
<p><a id="psych" name="psych"></a></p>
<p align="center"><strong>Psychological References</strong></p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone<br />
Internet</strong></td>
</tr>
<tr>
<td>AIDS/AIDS Project LA</td>
<td>888/440-APLA</td>
</tr>
<tr>
<td>Amer. Humane Assoc.</td>
<td>818/501-0123<br />
<a href="mailto:info@americanhumane.org">info@americanhumane.org</a></td>
</tr>
<tr>
<td>Breast Cancer (emotional)</td>
<td>310/859-1273</td>
</tr>
<tr>
<td>California Psych. Assoc.</td>
<td>916/325-9786<br />
<a href="mailto:jlyman@calpsychlink.org">jlyman@calpsychlink.org</a></td>
</tr>
<tr>
<td>Cancer Institute</td>
<td>301/496-6641</td>
</tr>
<tr>
<td>Domestic Violence/Legal</td>
<td>323/935-8666</td>
</tr>
<tr>
<td>Eating Disorders</td>
<td>805/945-2336</td>
</tr>
<tr>
<td>Humane Society</td>
<td>301/258-3060</td>
</tr>
<tr>
<td>Hunger</td>
<td>310/454-3716</td>
</tr>
<tr>
<td>Hypnosis</td>
<td>508/356-0909<br />
<a href="mailto:WaxCav@aol.com">WaxCav@aol.com</a></td>
</tr>
<tr>
<td>Literacy</td>
<td>916/324-7358</td>
</tr>
<tr>
<td>Medical Info (MPTF)</td>
<td>818/876-1888</td>
</tr>
<tr>
<td>Parents, Families and Friends<br />
of Lesbians and Gays</td>
<td>202/467-8180<br />
fax: 202/467-8194<br />
<a href="mailto:info@pflag.org">info@pflag.org</a></td>
</tr>
<tr>
<td>Psychiatry/Forensic</td>
<td>415/453-8920</td>
</tr>
<tr>
<td>Social Issues (N.C.N.)</td>
<td>310/456-1082</td>
</tr>
<tr>
<td>Social Workers</td>
<td>310/456-1082</td>
</tr>
<tr>
<td>Southern Cal. Coalition on Battered Women</td>
<td>323/935-8666<br />
<a href="http://www.nami.org/" target="new">www.nami.org</a></td>
</tr>
<tr>
<td>Suicide, Suicide Prevention, Mental Health,<br />
Public Policy and Survivors</td>
<td>202/449-3600<br />
<a href="http://www.spanusa.org/index.cfm" target="_blank">www.spanusa.org</a></td>
</tr>
</tbody>
</table>
<p align="center"><a href="http://lniggl.wordpress.com/wp-admin/#top">Back to FYI Index</a> <!--Miscellaneous--></p>
<p><a id="misc" name="misc"></a></p>
<p align="center"><strong>Miscellaneous</strong></p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone<br />
Internet</strong></td>
</tr>
<tr>
<td>Aerospace &amp; Engineering</td>
<td>714/962-2587</td>
</tr>
<tr>
<td>Alcohol, Drug Prevention</td>
<td>323/463-6852<br />
<a href="mailto:gmarcellell@health.org">gmarcellell@health.org</a></td>
</tr>
<tr>
<td>Antarctica</td>
<td>818/798-6490<br />
<a href="mailto:wmstout@bbs-la.com">wmstout@bbs-la.com</a></td>
</tr>
<tr>
<td>Archaeology</td>
<td>310/206-8934</td>
</tr>
<tr>
<td>Association of Film Commissioners</td>
<td>323/462-6092<br />
<a href="http://www.afci.org/" target="new">www.afci.org</a></td>
</tr>
<tr>
<td>Astrology</td>
<td>619/568-0425</td>
</tr>
<tr>
<td>Children&#8217;s Action Network</td>
<td>Jennifer Perry<br />
310/470-9599<br />
fax: 310/474-9665</td>
</tr>
<tr>
<td>Computers</td>
<td>505/992-8462<br />
<a href="mailto:ssalemi@earthlink.net">ssalemi@earthlink.net</a></td>
</tr>
<tr>
<td>Croquet</td>
<td>503/838-5697<br />
<a href="mailto:eliassen@open.org">eliassen@open.org</a></td>
</tr>
<tr>
<td>Dinosaurs</td>
<td>818/848-2646</td>
</tr>
<tr>
<td>Disabilities &amp; Wheelchairs</td>
<td>John Carpenter<br />
<a href="mailto:jcarpenter@earthlink.net">jcarpenter@earthlink.net</a></td>
</tr>
<tr>
<td>Ethnic Images (MIC)</td>
<td>213/974-7621</td>
</tr>
<tr>
<td>Environment (EMA)</td>
<td>310/287-2803<br />
<a href="mailto:joyce@ept.org">joyce@ept.org</a></td>
</tr>
<tr>
<td>Firearms</td>
<td>703/267-1300<br />
<a href="http://www.nra.org/" target="new">www.nra.org</a></td>
</tr>
<tr>
<td>Genetics</td>
<td>310/317-9856<br />
<a href="mailto:askit@aol.com">askit@aol.com</a></td>
</tr>
<tr>
<td>GLAAD/LA</td>
<td>323/933-2240<br />
<a href="mailto:glaad@glaad.org">glaad@glaad.org</a></td>
</tr>
<tr>
<td>Gun Violence/Prevention</td>
<td>310/475-6714<br />
<a href="mailto:cphvwest@aol.com">cphvwest@aol.com</a></td>
</tr>
<tr>
<td>High Tech and Air Combat</td>
<td>310/640-2765<br />
<a href="mailto:GJStiles@aol.com">GJStiles@aol.com</a></td>
</tr>
<tr>
<td>Insurance</td>
<td>818/763-8501</td>
</tr>
<tr>
<td>Last Acts<br />
(Care &amp; Caring at the End of Life)</td>
<td><a href="http://www.lastacts.org/" target="new">www.lastacts.org</a></td>
</tr>
<tr>
<td>Law Enforcement<br />
(Fraud Schemes, Undercover Investigations, etc.)</td>
<td>John Auvinen<br />
707/453-0178<br />
<a href="mailto:Nauroraborealis@aol.com">Nauroraborealis@aol.com</a></td>
</tr>
<tr>
<td>Lobbying/Congress/Fed Gov.</td>
<td>Jason Bryson-Alderman<br />
415/932-2110<br />
<a href="mailto:jason@alderman.net">jason@alderman.net</a></td>
</tr>
<tr>
<td>Mexican-American</td>
<td>213/343-2190</td>
</tr>
<tr>
<td>Muslim Public Affairs Council (MPAC)</td>
<td>Salam Al-Mara Yati<br />
213/383-3443<br />
fax: 213/383-9674<br />
<a href="mailto:mpacusa@aol.com">mpacusa@aol.com</a></td>
</tr>
<tr>
<td>Muslim Women&#8217;s League</td>
<td>Semeen Issa<br />
626/358-0335</td>
</tr>
<tr>
<td>Plague History</td>
<td>818/907-0117</td>
</tr>
<tr>
<td>Private Investigation</td>
<td>323/935-8451</td>
</tr>
<tr>
<td>Safety Council</td>
<td>213/385-6461</td>
</tr>
<tr>
<td>Science</td>
<td>818/707-2270<br />
<a href="mailto:ab141@lasn.org">ab141@lasn.org</a></td>
</tr>
<tr>
<td>Search &amp; Rescue</td>
<td>540/582-5708<br />
<a href="mailto:stroryspinr@aol.com">stroryspinr@aol.com</a></td>
</tr>
<tr>
<td>Sugar Assoc.</td>
<td>202/785-1122<br />
<a href="mailto:sugar@sugar.org">sugar@sugar.org</a></td>
</tr>
<tr>
<td>USO World Headquarters</td>
<td>Terri Kaufman, Public Relations<br />
703/836-9222, x 3035<br />
<a href="mailto:tkaufman@wwafsp.com">tkaufman@wwafsp.com</a></td>
</tr>
<tr>
<td>Vaudeville/Circus</td>
<td>851/8948 ext. 328</td>
</tr>
<tr>
<td>Violence</td>
<td>818/508-2080<br />
fax: 818/508-2088<a href="mailto:lallen@mediascope.org">lallen@mediascope.org</a></td>
</tr>
</tbody>
</table>
<p align="center"><a href="http://lniggl.wordpress.com/wp-admin/#top">Back to FYI Index</a> <!--WGA Departments--></p>
<p><a id="wga" name="wga"></a></p>
<p align="center"><strong>WGA Departments</strong><br />
All listings in 323 area code unless otherwise indicated.</p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone</strong></td>
</tr>
<tr>
<td>Administration</td>
<td>782-4520</td>
</tr>
<tr>
<td>Agency</td>
<td>782-4502</td>
</tr>
<tr>
<td>Awards &amp; Elections</td>
<td>782-4569</td>
</tr>
<tr>
<td>Claims</td>
<td>782-4663</td>
</tr>
<tr>
<td>Contracts</td>
<td>782-4501</td>
</tr>
<tr>
<td>Credits</td>
<td>782-4528</td>
</tr>
<tr>
<td>Department of Organizing</td>
<td>782-4511</td>
</tr>
<tr>
<td>Dues</td>
<td>782-4531</td>
</tr>
<tr>
<td>Employment Access</td>
<td>782-4548</td>
</tr>
<tr>
<td>Executive Offices</td>
<td>951-4000</td>
</tr>
<tr>
<td>Film Society</td>
<td>782-4502</td>
</tr>
<tr>
<td>Finance</td>
<td>782-4585</td>
</tr>
<tr>
<td>Human Resources</td>
<td>782-4615</td>
</tr>
<tr>
<td>Journal</td>
<td>782-4630</td>
</tr>
<tr>
<td>Legal</td>
<td>782-4521</td>
</tr>
<tr>
<td>Library</td>
<td>782-4544</td>
</tr>
<tr>
<td>Management Info Systems</td>
<td>782-4555</td>
</tr>
<tr>
<td>Membership</td>
<td>782-4532</td>
</tr>
<tr>
<td>Public Affairs</td>
<td>782-4574</td>
</tr>
<tr>
<td>Publications</td>
<td>782-4522</td>
</tr>
<tr>
<td>Registration</td>
<td>782-4540</td>
</tr>
<tr>
<td>Residuals</td>
<td>782-4503</td>
</tr>
<tr>
<td>Signatories</td>
<td>782-4514</td>
</tr>
<tr>
<td>Theater Operations</td>
<td>782-4502</td>
</tr>
<tr>
<td>Credit Union</td>
<td>213/849-1712<br />
818/840-9220</td>
</tr>
<tr>
<td>Pension &amp; Health</td>
<td>818/846-1015<br />
800/227-7863</td>
</tr>
<tr>
<td>WritersCare Info.</td>
<td>323/782-4568</td>
</tr>
</tbody>
</table>
<p align="center"><a href="http://lniggl.wordpress.com/wp-admin/#top">Back to FYI Index</a> <!--Points of Interest--></p>
<p><a id="poi" name="poi"></a></p>
<p align="center"><strong>Points of Interest</strong></p>
<p> </p>
<table border="1" cellspacing="0" cellpadding="3" align="center">
<tbody>
<tr>
<td><strong>Department</strong></td>
<td><strong>Phone/Internet</strong></td>
<td><strong>Address</strong></td>
</tr>
<tr>
<td>Aviation Research Center</td>
<td>310/864-4116</td>
<td>12032 E. Firestone Blvd., Norwalk, CA</td>
</tr>
<tr>
<td>CA Institute of the Arts Library</td>
<td>805/253-7887<br />
<a href="mailto:mhanft@calarts.edu">mhanft@calarts.edu</a></td>
<td>24700 McBean Parkway, Valencia, CA</td>
</tr>
<tr>
<td>California Institute of Technology</td>
<td>818/397-2704</td>
<td>Archive Office, Pasadena, CA 91125</td>
</tr>
<tr>
<td>California Historical Society</td>
<td>818/449-5450</td>
<td>San Marino, CA</td>
</tr>
<tr>
<td>Eddie Brandt Saturday Matinee</td>
<td>818/506-4242</td>
<td>North Hollywood, CA</td>
</tr>
<tr>
<td>Institute of the American Musical</td>
<td>323/934-1221</td>
<td>121 N. Detroit St., L.A., CA90036</td>
</tr>
<tr>
<td>National Museum of Natural History</td>
<td>(202) 633-1000</td>
<td>10th St &amp; Constitution Ave NW<br />
Washington, D.C. 20560-0135</td>
</tr>
<tr>
<td>Railway History</td>
<td>818/449-4423</td>
<td>700 S. Lake Ave., Pasadena, CA 91106</td>
</tr>
<tr>
<td>Southwest Museum/Library</td>
<td>323/221-2163</td>
<td>234 Museum Dr., Highland Park, CA 90042</td>
</tr>
</tbody>
</table>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/71/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/71/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/71/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/71/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/71/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/71/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/71/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/71/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/71/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/71/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=71&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/25/fyi-for-writers-information/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>Writers Resources</title>
		<link>http://lniggl.wordpress.com/2008/06/25/writers-resources/</link>
		<comments>http://lniggl.wordpress.com/2008/06/25/writers-resources/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 18:53:48 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[a - writing]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=70</guid>
		<description><![CDATA[The Hotlist: June 2008 By Elliot Feldman, New Media Committee The &#8220;Hot List&#8221; is a regular feature keeping Guild members abreast of developments in emerging entertainment platforms. Members are welcome to send site addresses to elliotfeldman@yahoo.com     http://www.stanford.edu/group/cwstudents/shakegirl/ 17 Stanford students complete a slick graphic novel in only a few weeks. The results are online. http://theprocesscomic.com [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=70&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span class="subheader">The Hotlist: June 2008</span></p>
<p align="left"><strong>By Elliot Feldman, New Media Committee</strong></p>
<p>The &#8220;Hot List&#8221; is a regular feature keeping Guild members abreast of developments in emerging entertainment platforms.</p>
<p>Members are welcome to send site addresses to <a href="mailto:elliotfeldman@yahoo.com">elliotfeldman@yahoo.com</a></p>
<p> </p>
<hr /> </p>
<p><a href="http://www.stanford.edu/group/cwstudents/shakegirl/" target="_blank">http://www.stanford.edu/group/cwstudents/shakegirl/</a><br />
17 Stanford students complete a slick graphic novel in only a few weeks. The results are online.</p>
<p><a href="http://theprocesscomic.com/" target="_blank">http://theprocesscomic.com</a><br />
Joe Infurnari&#8217;s gorgeous Web comic</p>
<p><a href="http://www.afterworld.tv/" target="_blank">http://www.afterworld.tv/</a><br />
Part video game, part interactive art, part sci-fi series, all genius!</p>
<p><a href="http://theburg.tv/" target="_blank">http://theburg.tv/</a><br />
An online hipster sitcom taking place in rapidly gentrifying Williamsburg, Brooklyn &#8212; Much better than it sounds</p>
<p><a href="http://www.dategarden.com/" target="_blank">http://www.dategarden.com/</a><br />
If you&#8217;re a wounded casualty of the online dating scene, this hilarious spoof site is just for you.</p>
<p><a href="http://crackle.com/" target="_blank">http://crackle.com/</a><br />
Several cuts above the usual &#8220;television network for the Internet&#8221; with the added value of rants from Penn Jillette</p>
<p><a href="http://www.trailersfromhell.com/" target="_blank">http://www.trailersfromhell.com/</a><br />
A very cool selection of old-time movie trailers with added commentaries from noted Hollywood &#8220;grindhouse&#8221; filmmakers such as Joe Dante, Allan Arkush, John Landis, and Eli Roth.</p>
<p><a href="http://www.littleminx.tv/" target="_blank">http://www.littleminx.tv/</a><br />
A collection of brilliant original online videos from possibly the next wave of big screen talent</p>
<p><a href="http://mediastorm.org/" target="_blank">http://mediastorm.org/</a><br />
Sponsored by the <em>Washington Post</em>, Mediastorm is a photojournalist showcase that synchs perfectly with the Web</p>
<p><a href="http://www.jonathanyuen.com/main.html" target="_blank">http://www.jonathanyuen.com/main.html</a><br />
Jonathan Yuen&#8217;s site is a stunning mix of art, music, video, and poetry with justified self-promotion thrown in.</p>
<p><a href="http://drawger.com/index.php" target="_blank">http://drawger.com/index.php</a><br />
An artist and writer social networking site that may also be the ultimate arts and letters magazine for smart people</p>
<p><a href="http://www.signandsight.com/" target="_blank">http://www.signandsight.com/</a><br />
Who says that no one reads novels anymore? Sign and Sight offers hyper-intelligent book reviews with a Euro perspective.</p>
<p><a href="http://pitchfork.tv/" target="_blank">http://pitchfork.tv/</a><br />
One of the Web&#8217;s oldest and smartest music zines, Pitchfork now offers Pitchfork TV.</p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/70/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/70/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/70/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/70/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/70/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/70/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/70/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/70/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/70/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/70/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=70&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/25/writers-resources/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>Guild Signatory Agents and Agency &#8211; from WGA</title>
		<link>http://lniggl.wordpress.com/2008/06/25/guild-signatory-agents-and-agency-from-wga/</link>
		<comments>http://lniggl.wordpress.com/2008/06/25/guild-signatory-agents-and-agency-from-wga/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 18:52:14 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=69</guid>
		<description><![CDATA[Guild Signatory Agents and Agency   As a service to all writers (WGAW members and non-members), the Writers Guild of America, West now provides this online version of its Agency List. These agencies represent film, television and interactive writers.     The WGAW does not offer assistance in finding or suggesting an agent, nor does [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=69&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Guild Signatory Agents and Agency</strong></p>
<p> </p>
<p><span style="font-size:x-small;color:#777777;"><font size="2" color="#777777"></p>
<blockquote>
<p style="margin-bottom:0;"><span style="font-size:x-small;color:#777777;">As a service to all writers (WGAW members and non-members), the Writers Guild of America, West now provides this online version of its Agency List. These agencies represent film, television and interactive writers.</span><span style="font-size:x-small;"> </span></p>
</blockquote>
<p></font></span></p>
<blockquote>
<p style="margin-bottom:0;"> </p>
</blockquote>
<blockquote>
<p style="margin-bottom:0;"> </p>
<p><span style="font-size:x-small;color:#777777;">The WGAW does not offer assistance in finding or suggesting an agent, nor does it assume liability for any acts or omissions of the agencies listed herein. </span></p>
<p><span style="font-size:x-small;color:#777777;">Each agency has its own submission policy. The WGAW recommends that a writer send a query letter, rather than submitting an unsolicited script. This letter should be concise, outlining relevant credentials and briefly describing the nature of the work. </span></p>
<p><span style="font-size:x-small;color:#777777;">As a courtesy, most agents will return literary material if a self-addressed stamped envelope is included with the submission. However, agencies are under no obligation to return the submitted material, nor can the WGAW assist in the recovery of non-returned material. </span>&lt;!&#8211;<FONT color="#777777" size="2"><B>WGAw &#8220;No Fees&#8221; Policy:</B> Guild policy prohibits an agency from appearing on this list if it charges reading    fees or similar fees as a condition to read literary material. Such literary    material includes but is not limited to screenplays, teleplays, telescripts,    stories, treatments, bibles, formats, plot outlines, breakdowns, sketches, narration,    non-commercial openings and closings, long form story projections and/or pilots-   including    all rewrites and polishes thereto. Please contact the Guild at (323) 782-4502    if you find that any of the listed agencies charge reading fees or similar fees    for this type of literary material. The WGAW &#8220;No Fees&#8221; policy also applies to    agencies that refer writers to entities which charge reading fees or similar    fees. NOTE: Some agencies on this list charge reading fees or similar fees for    other forms of literary material (e.g., novels or plays). </font> &#8211;&gt;</p>
<p><span style="font-size:x-small;color:#777777;">The agencies listed herein are licensed by the State of California. If you believe an agency is a signatory and you do not see it listed here, please contact the Guild&#8217;s Agency Department at (323) 782-4502. </span>&lt;!&#8211; <HR> <font size="2"><A NAME="legend"></A> </font></p>
<table>
<tr>
<th colspan="2"><font size="2">LEGEND</font></th>
</tr>
<tr>
<th align="left"><font size="2">New Writers OK</font></th>
<td><font size="2">This agency indicated it will consider new writers.</font></td>
</tr>
<tr>
<th align="left"><font size="2">References Required</font></th>
<td><font size="2">This agency indicated it will consider writers ONLY as        a result of references from persons known to it.</font></td>
</tr>
<tr>
<th align="left"><font size="2">Letter of Inquiry Required</font></th>
<td><font size="2">This agency indicated it will accept <u>ONLY</u> a letter        of inquiry.</font></td>
</tr>
<tr>
<th align="left"><font size="2">No Unsolicited Material</font></th>
<td><font size="2">This agency will not accept unsolicited material.</font></td>
</tr>
</table>
<hr />&#8211;&gt;&lt;!&#8211;&nbsp;<A name="top"><B>Select a State:</B></A> </p>
<h3><font color="red"><i> Data access failed! &#8212; Please contact your system administrator.</i></font></h3>
<p>Details:</p>
<blockquote></blockquote>
<p>All States   &nbsp;&nbsp;     </p>
<p> &#8211;&gt;</p>
<table border="0" cellspacing="8">
<tbody>
<tr>
<th colspan="2">California</th>
</tr>
<tr>
<td>Above The Line Agency<br />
468 N Camden Dr<br />
Ste 200<br />
Beverly Hills, CA 90210<br />
(310) 859-6115</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Acme Talent &amp; Literary Agency<br />
4727 Wilshire Blvd<br />
Ste 333<br />
Los Angeles, CA 90010<br />
(323) 954-2263</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Agency For The Performing Arts (LA)<br />
405 S Beverly Dr<br />
Beverly Hills, CA 90212<br />
(310) 888-4200</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Aimee Entertainment Association<br />
15840 Ventura Blvd<br />
Ste 215<br />
Encino, CA 91436</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Alpern Group, The<br />
15645 Royal Oak Rd<br />
Encino, CA 91436<br />
(818) 528-1111</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Amsel, Eisenstadt &amp; Frazier<br />
5055 Wilshire Blvd<br />
Ste 865<br />
Los Angeles, CA 90036<br />
(323) 939-1188</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Angel City Talent<br />
4741 Laurel Cyn Blvd<br />
Ste 101<br />
Valley Village, CA 91607<br />
(818) 760-9980</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Ann Waugh Talent Agency<br />
4741 Laurel Cyn Blvd<br />
Ste 200<br />
N. Hollywood, CA 91607<br />
(818) 980-0141</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Annette Van Duren Agency<br />
4303 Irvine Ave<br />
Studio City, CA 91604<br />
(818) 752-6000</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Beth Bohn Management Inc<br />
2658 Griffith Park Blvd<br />
Ste 508<br />
Los Angeles, CA 90039<br />
(323) 664-2658</td>
<td valign="top"> </td>
</tr>
<tr>
<td>BiCoastal Talent &amp; Literary Agency<br />
210 N Pass Ave<br />
Ste 204<br />
Burbank, CA 91505<br />
(818) 845-0150</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Bohrman Agency, The<br />
8899 Beverly Blvd<br />
Ste 811<br />
Los Angeles, CA 90048<br />
(310) 550-5444</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Bonnie Black Talent Agency<br />
12034 Riverside Dr #103<br />
Valley Village, CA 91607<br />
(818) 753-5424</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Brant Rose Agency<br />
6671 Sunset Blvd<br />
Ste 1584 B<br />
Los Angeles, CA 90028<br />
(323) 460-6464</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Candace Lake Agency, Inc.<br />
10677 Somma Way<br />
Los Angeles, CA 90077<br />
(310) 476-2882</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Cary Kozlov Literary Representation<br />
16000 Ventura Blvd<br />
Ste 1000<br />
Encino, CA 91436<br />
(818) 501-6622</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Catalyst Agency, Inc.<br />
(818) 597-8335</td>
<td valign="top"> </td>
</tr>
<tr>
<td>CEO Creative Entertainment Office<br />
1801 S Catalina Ave<br />
Ste 103<br />
Redondo Bch, CA 90277<br />
(310) 791-4494</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Cerise Talent Agency<br />
11715 Hortense St<br />
N. Hollywood, CA 91607<br />
(818) 766-8226</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Chasin Agency, Inc., The<br />
8899 Beverly Blvd<br />
Ste 716<br />
Los Angeles, CA 90048<br />
(310) 278-7505</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Contemporary Artists, Ltd.<br />
610 Santa Monica Blvd<br />
Ste 202<br />
Santa Monica, CA 90401<br />
(310) 395-1800</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Coralie Jr. Theatrical Agency<br />
907 S Victory Blvd<br />
Burbank, CA 91502<br />
(818) 842-5513</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Creative Artists Agency, LLC<br />
2000 Ave Of The Stars<br />
Los Angeles, CA 90067<br />
(424) 288-2000</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Criterion<br />
4842 Sylmar Ave<br />
Sherman Oaks, CA 91423-1716<br />
(818) 995-1485</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Dale Garrick International<br />
1017 N La Cienega Blvd<br />
Ste 109<br />
W. Hollywood, CA 90069<br />
(310) 657-2661</td>
<td valign="top"> </td>
</tr>
<tr>
<td>David Shapira &amp; Associates<br />
193 N Robertson Blvd<br />
Beverly Hills, CA 90211<br />
(310) 967-0480</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Diverse Talent Group, Inc.<br />
1925 Century Park East<br />
Ste 880<br />
Los Angeles, CA 90067<br />
(310) 201-6565</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Don Buchwald &amp; Associates<br />
6500 Wilshire Blvd<br />
Ste 2200<br />
Los Angeles, CA 90048<br />
(323) 655-7400</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Endeavor Agency, The<br />
9601 Wilshire Blvd<br />
3rd Floor<br />
Beverly Hills, CA 90210<br />
(310) 248-2000</td>
<td valign="top"> </td>
</tr>
<tr>
<td>ES Agency, The<br />
6612 Pacheco Way<br />
Citrus Hts, CA 95610<br />
(916) 723-2794</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Featured Artists Agency<br />
1880 Century Park East, Ste. 1402<br />
Century City, CA 90067<br />
(310) 286-3200</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Frank Elliott Shapiro Agency<br />
(818) 376-1583</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Fred R. Price Literary Agency<br />
14044 Ventura Blvd<br />
Ste 201<br />
Sherman Oaks, CA 91423<br />
(818) 763-6365</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Gage Group, Inc., The<br />
14724 Ventura Blvd<br />
Ste 505<br />
Sherman Oaks, CA 91403<br />
(818) 905-3800</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Gerald K. Smith &amp; Associates<br />
(323) 849-5388</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Gersh Agency, Inc., The (LA)<br />
232 N Canon Dr<br />
Ste 201<br />
Beverly Hills, CA 90210<br />
(310) 274-6611</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Glick Agency, LLC<br />
1250 6th Street<br />
Ste 100<br />
Santa Monica, CA 90401<br />
(310) 593-6500</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Grant, Savic, Kopaloff &amp; Associates<br />
6399 Wilshire Blvd<br />
Ste 414<br />
Los Angeles, CA 90048<br />
(323) 782-1854</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Hohman, Maybank, Lieb<br />
9229 Sunset Blvd<br />
Ste 700<br />
Los Angeles, CA 90069<br />
(310) 274-4600</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Hollywood View<br />
5255 Veronica St<br />
Los Angeles, CA 90008</td>
<td valign="top"> </td>
</tr>
<tr>
<td>IFA Talent Agency<br />
8730 Sunset Blvd<br />
Ste 490<br />
Los Angeles, CA 90069<br />
(310) 659-5522</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Innovative Artists<br />
1505 Tenth St<br />
Santa Monica, CA 90401<br />
(310) 656-0400</td>
<td valign="top"> </td>
</tr>
<tr>
<td>International Creative Management<br />
10250 Constellation Blvd<br />
Los Angeles, CA 90067<br />
(310) 550-4000</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Irv Schechter Company, The<br />
9460 Wilshire Blvd<br />
Ste 300<br />
Beverly Hills, CA 90212<br />
(310) 278-8070</td>
<td valign="top"> </td>
</tr>
<tr>
<td>J.K.A. Talent &amp; Literary Agency<br />
(818) 980-2093</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Jack Lenny Associates<br />
9454 Wilshire Blvd<br />
Ste 600<br />
Beverly Hills, CA 90212<br />
(310) 271-2174</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Jack Scagnetti Talent Agency<br />
5118 Vineland Ave<br />
Ste 106<br />
North Hollywood, CA 91601<br />
(818) 762-3871</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Kaplan Stahler Gumer Braun Agency<br />
8383 Wilshire Blvd<br />
Ste 923<br />
Beverly Hills, CA 90211<br />
(323) 653-4483</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Kathleen Schultz Associates<br />
6442 Coldwater Cyn<br />
Ste 206<br />
Valley Glen, CA 91606<br />
(818) 760-3100</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Larchmont Literary Agency<br />
444 N Larchmont Blvd<br />
Ste 200<br />
Los Angeles, CA 90004<br />
(323) 856-3070</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Larry Grossman &amp; Associates<br />
2129 Ridge Dr<br />
Los Angeles, CA 90049<br />
(310) 550-8127</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Laya Gelff Agency<br />
16133 Ventura Blvd<br />
Ste 700<br />
Encino, CA 91436<br />
(818) 996-3100</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Lenhoff &amp; Lenhoff<br />
830 Palm Ave<br />
W Hollywood, CA 90069<br />
(310) 855-2411</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Lisa Callamaro Literary Agency<br />
427 N Canon Dr<br />
Ste 202<br />
Beverly Hills, CA 90210<br />
(310) 274-6783</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Lyons/Sheldon/Prosnit Agency<br />
800 S Robertson Blvd<br />
Ste 6<br />
Los Angeles, CA 90035<br />
(310) 652-8778</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Maggie Roiphe Agency<br />
1721 S Garth Ave<br />
Los Angeles, CA 90035<br />
(310) 876-1561</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Marian Berzon Talent Agency<br />
336 E 17th St<br />
Costa Mesa, CA 92627<br />
(949) 631-5936</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Media Artists Group<br />
6300 Wilshire Blvd<br />
Ste 1470<br />
Los Angeles, CA 90048<br />
(323) 658-7434</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Metropolitan Talent Agency<br />
204 N Rossmore Ave<br />
Los Angeles, CA 90004<br />
(323) 857-4500</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Michael Lewis &amp; Associates<br />
2506 Fifth St<br />
Ste 100<br />
Santa Monica, CA 90405<br />
(310) 399-1999</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Mitchell J. Hamilburg Agency<br />
149 S Barrington Ave<br />
Ste 732<br />
Los Angeles, CA 90049<br />
(310) 471-4024</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Mitchell K. Stubbs &amp; Associates<br />
8695 W Washington Blvd<br />
Ste 204<br />
Culver City, CA 90232<br />
(310) 838-1200</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Monteiro Rose Dravis Agency<br />
4370 Tujunga Ave.<br />
Ste. 145<br />
Studio City, CA 91604<br />
(818) 501-1177</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Natural Talent, Inc.<br />
3331 Ocean Park Blvd<br />
Ste 203<br />
Santa Monica, CA 90405<br />
(310) 450-4945</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Original Artists<br />
9465 Wilshire Blvd<br />
Ste 324<br />
Beverly Hills, CA 90212<br />
(310) 275-6765</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Paradigm<br />
360 N Crescent Dr<br />
North Bldg<br />
Beverly Hills, CA 90210<br />
(310) 288-8000</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Paul Kohner, Inc.<br />
9300 Wilshire Blvd<br />
Ste 555<br />
Beverly Hills, CA 90212<br />
(310) 550-1060</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Preferred Artists<br />
16633 Ventura Blvd<br />
Ste 1421<br />
Encino, CA 91436<br />
(818) 990-0305</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Progressive Artists Agency<br />
400 S Beverly Dr<br />
Ste 216<br />
Beverly Hills, CA 90212<br />
(310) 553-8561</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Qualita Dell&#8217; Arte<br />
6303 Owensmouth Ave<br />
10th Floor<br />
Woodland Hills, CA 91367<br />
(818) 598-8073</td>
<td valign="top"> </td>
</tr>
<tr>
<td>read.<br />
8033 Sunset Blvd<br />
Ste 937<br />
Los Angeles, CA 90046</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Rebel Entertainment Partners, Inc.<br />
5700 Wilshire Blvd<br />
Ste 456<br />
Los Angeles, CA 90036<br />
(323) 935-1700</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Rothman Brecher Agency, The<br />
9250 Wilshire Blvd<br />
Penthouse<br />
Beverly Hills, CA 90212<br />
(310) 247-9898</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Sarnoff Company, Inc., The<br />
10 Universal City Plaza<br />
20th Floor<br />
Universal City, CA 91608<br />
(818) 753-2377</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Schiowitz Connor Ankrum Wolf, Inc.<br />
1680 Vine St<br />
Ste 1016<br />
Los Angeles, CA 90028<br />
(323) 463-8355</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Shapiro-Lichtman, Inc.<br />
1333 Beverly Green<br />
Los Angeles, CA 90035<br />
(310) 859-8877</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Shirley Wilson &amp; Associates<br />
5410 Wilshire Blvd<br />
Ste 227<br />
Los Angeles, CA 90036<br />
(323) 857-6977</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Stars, The Agency<br />
23 Grant Ave<br />
4th Floor<br />
San Francisco, CA 94108<br />
(415) 421-6272</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Starwil Productions<br />
433 N Camden Dr<br />
4th Floor<br />
Beverly Hills, CA 90210<br />
(818) 761-3213</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Stein Agency, The<br />
5125 Oakdale Ave<br />
Woodland Hills, CA 91364<br />
(818) 594-8990</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Stone Manners Agency<br />
6500 Wilshire Blvd<br />
Ste 550<br />
Los Angeles, CA 90048<br />
(323) 655-1313</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Stuart M. Miller Co, The<br />
11684 Ventura Blvd<br />
Ste 225<br />
Studio City, CA 91604<br />
(818) 506-6067</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Suite A Management Talent &amp; Literary Agency<br />
120 El Camino Dr<br />
Ste 202<br />
Beverly Hills, CA 90212<br />
(310) 278-0801</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Summit Talent &amp; Literary Agency<br />
9454 Wilshire Blvd<br />
Ste 203<br />
Beverly Hills, CA 90212<br />
(310) 205-9730</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Susan Smith Company, The<br />
1344 N Wetherly Dr<br />
Los Angeles, CA 90069<br />
(310) 276-4224</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Talent Works, Inc.<br />
3500 W Olive Ave<br />
Ste 1400<br />
Burbank, CA 91505<br />
(818) 972-4300</td>
<td valign="top"> </td>
</tr>
<tr>
<td>United Talent Agency, Inc.<br />
9560 Wilshire Blvd<br />
5th Floor<br />
Beverly Hills, CA 90212<br />
(310) 273-6700</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Vision Art Management<br />
9200 Sunset Blvd<br />
Penthouse<br />
Los Angeles, CA 90069<br />
(310) 888-3288</td>
<td valign="top"> </td>
</tr>
<tr>
<td>Warden, White &amp; Associates<br />
8444 Wilshire Blvd<br />
4th Floor<br />
Beverly Hills, CA 90211<br />
(323) 852-1028</td>
<td valign="top"> </td>
</tr>
<tr>
<td>William Morris Agency, LLC<br />
151 El Camino Dr<br />
Beverly Hills, CA 90212<br />
(310) 274-7451</td>
<td valign="top"> </td>
</tr>
</tbody>
</table>
</blockquote>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/69/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/69/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/69/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/69/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/69/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/69/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/69/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/69/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/69/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/69/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=69&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/25/guild-signatory-agents-and-agency-from-wga/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>Food For thought &#8211; that may make you paranoid</title>
		<link>http://lniggl.wordpress.com/2008/06/25/food-for-thought-that-may-make-you-paranoid/</link>
		<comments>http://lniggl.wordpress.com/2008/06/25/food-for-thought-that-may-make-you-paranoid/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 18:46:15 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[environment and current events]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=68</guid>
		<description><![CDATA[NOTE: Elements within the U.S. Government have been threating web site administrators all over the internet and forcing them to take down the following article because it&#8217;s exposes the Bush/Cheney cabal&#8217;s involvement in the coming economic collapse of 2008. Everyone make copies of this article and send it everywhere so everyone will be fully aware [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=68&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>NOTE: Elements within the U.S. Government have been threating web site<br />
administrators all over the internet and forcing them to take down the<br />
following article because it&#8217;s exposes the Bush/Cheney cabal&#8217;s<br />
involvement in the coming economic collapse of 2008.</p>
<p>Everyone make copies of this article and send it everywhere so<br />
everyone will be fully aware of how the economic collapse was<br />
engineered to happen on purpose.<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;</p>
<p>&#8220;Everybody knows that the dice are loaded.  Everybody rolls with their<br />
fingers crossed.  Everybody knows the war is over.  Everybody knows<br />
the good guys lost.  Everybody knows the fight was fixed.  The poor<br />
stay poor, the rich get rich.  That&#8217;s how it goes,  Everybody knows&#8221; -<br />
Leonard Cohen</p>
<p>PROTOCOLS FOR ECONOMIC COLLAPSE IN AMERICA<br />
by<br />
Al Martin</p>
<p>And this is how the U.S. Treasury would handle an economic collapse.<br />
It&#8217;s called the 6900 series of protocols. It would start with<br />
declaring a force majeure, which would immediately be interpreted by<br />
the marketplaces as a de facto repudiation of debt. Then the SEC and<br />
the various regulatory exchanges would anticipate the market&#8217;s<br />
decline, hour by hour &#8212; when Japan&#8217;s markets opened the next day,<br />
what would happen when the European markets, and all the inter-<br />
linkages of the global markets. On the second day, US Special Forces<br />
would be dropped in by parachute in the cities where the twelve<br />
Federal Reserve district banks are located.</p>
<p>The origin of these protocols comes from the Department of Defense.<br />
This is contingency planning for a variety of post-collapse scenarios.<br />
Those scenarios would include, obviously, military collapse, World War<br />
III, in other words, and its aftermath. What we&#8217;re talking about now<br />
is aftermath &#8212; how the aftermath would be handled.</p>
<p>One does not necessarily know how the events would transpire that<br />
would cause the collapse, whether it&#8217;s military collapse or economic<br />
collapse. In World War III, it would become obvious &#8212; when the<br />
mushroom cloud started to appear over cities.</p>
<p>Economic collapse scenarios were always premised on the basis of a US<br />
declaration of force majeure on debt service. It&#8217;s a very extensive<br />
scenario. The scenarios are all together, i.e., military, economic,<br />
political and social complete destabilization leading to collapse.<br />
Then they break down individual scenarios. In the economic collapse<br />
scenario, the starting point would be the United States Treasury<br />
declaring a force majeure on debt service, which is de facto<br />
repudiation, and that&#8217;s how it would be interpreted by the world&#8217;s<br />
capital marketplaces. Then the scenario goes on from there. The US<br />
Treasury would obviously declare a force majeure sometime after the<br />
European markets had settled down. In other words, they had gone out<br />
on the day, which means 11:38 a.m. EDT, our time. They&#8217;d wait until<br />
the European markets closed, and the US markets had been open for a<br />
couple of hours. That&#8217;s when they&#8217;d determine how to begin the process<br />
of unwinding or controlling the collapse to the best extent possible,<br />
mainly because they know that the greatest hedge pressure would be<br />
people seeking to use other markets to hedge their long exposure in<br />
the United States and that the US would be the biggest seller in all<br />
the rest of the world&#8217;s markets. Therefore you would want to declare<br />
the force majeure when the rest of the world&#8217;s markets closed. The<br />
declaration of force majeure would be precipitated by the declaration<br />
that the United States is no longer able to service its debt. That&#8217;s<br />
pretty simple. Who makes that decision? The Treasury Department. The<br />
President does not make that decision. The Secretary of the Treasury<br />
does. He has that authority.<br />
You might ask &#8212; wouldn&#8217;t he have his arm twisted not to do that?</p>
<p>The answer is that if there isn&#8217;t any money left to service the debt,<br />
it doesn&#8217;t make any difference what the current regime might want to<br />
do.</p>
<p>The day of reckoning is now coming. What has happened in the interim,<br />
from 2001 to present, is dynamic, global economic deterioration. The<br />
economic deterioration visited upon the United States by Bushonomics<br />
is not a localized event. It is, in fact, global. We have a planet now<br />
that is sinking into a sea of red ink.</p>
<p>The United States is consuming 80% of the planet&#8217;s savings rate to<br />
finance its debt. The central banks of Germany, Japan and Saudi Arabia<br />
are no longer the powerhouses they used to be. Their reserves have now<br />
been substantially depleted. They can, therefore, no longer hide the<br />
fact that they own a certain number, likely in the trillions of<br />
dollars, of U.S. Treasury debt that isn&#8217;t being serviced, because they<br />
can&#8217;t hide it through bookkeeping tricks anymore because their<br />
reserves are so depleted.</p>
<p>Therefore somebody has covertly been putting demands on the Bush-<br />
Cheney regime for payment. Why do you think 2900 metric tons of gold<br />
is depleted from U.S. inventory since March of `01?</p>
<p>Why do you think that $2 billion in currency seized from Iraq last May<br />
is now unaccounted for?</p>
<p>Someone is putting demands on the Bush-Cheney regime. Someone is<br />
saying to the Bushonian Cabal that &#8212; You&#8217;ve got to start servicing<br />
this debt because we, foreign central banks, are in nations &#8211; European<br />
and Asian &#8211; whose reserves are now nearly exhausted.</p>
<p>Who could be putting that kind of pressure on them?</p>
<p>It has to be coming from whoever is organizing this thing at the very<br />
top, which I would tend to think has got to be most likely a cabal of<br />
people that would involve Henry Kissinger, James Baker, George<br />
Schultz, possibly William Simon. It would be somebody at the very top<br />
that is familiar with how to do this. It would have to be someone<br />
familiar with finances.</p>
<p>So would this be one faction of a cabal blackmailing or forcing<br />
another faction? No, it&#8217;s not really blackmailing. It&#8217;s being done out<br />
of desperation. The German, Japanese and Saudi central banks are<br />
saying to the Bushonian cabal, You&#8217;ve got to start servicing this debt<br />
because we don&#8217;t have the reserves to cover you anymore. We can no<br />
longer make it appear that the debt is being serviced because our own<br />
reserves are so substantively depleted. Therefore you must begin to<br />
cover this debt. If you don&#8217;t, then, at some point, we will have to<br />
publicly admit in order to save our own necks &#8212; that we were the end<br />
buyers of a lot of stealth debt, a lot of debt that your Treasury<br />
issued illegally and has never serviced. That would then expose the<br />
whole cabal.</p>
<p>The Kissinger-Baker faction are at the top of how this was done on the<br />
economic side of the equation. They were not the original insiders so<br />
much, but the managers of the conspiracy from the U.S. Treasury, to<br />
wit, the U.S. Treasury and Federal Reserve role-play the part.</p>
<p>Take Henry Kissinger. It may not have occurred to anyone why in the<br />
last 3 years Henry Kissinger has been back in Washington more than he<br />
has in the last 30 years. And why are all these quiet meetings in<br />
Washington with alleged senior Bush-Cheney regime officials, as<br />
foreign news services endlessly put it. It&#8217;s because Kissinger is the<br />
point man. He&#8217;s the one that is telling them the disposition of other<br />
foreign central banks.</p>
<p>Kissinger would probably also be involved in transfer or hypothecation<br />
of any assets from the cabal. In other words, they&#8217;re being stolen<br />
from the American people by the Bush-Cheney regime and the Bushonian<br />
Cabal, and they are being used to hypothecate, transfer, service, or<br />
otherwise carry this debt held by certain foreign central banks.</p>
<p>The process of unraveling has already begun because of ever-spiraling<br />
Bushonian budget deficits. The Bush-Cheney regime, even in its overt<br />
policies (now they&#8217;re overt political, economic, social and military<br />
policies) is generating $600-billion-plus deficit per year, which is<br />
consuming 80% of the planet&#8217;s net savings rate.</p>
<p>It doesn&#8217;t have the slack. In other words, it can&#8217;t refinance stealth<br />
debt by issuing more stealth debt anymore. Nor can they bleed money<br />
out of the system like they could in the 1980s by hiding it when the<br />
overt policies of the Bush-Cheney regime are already producing a<br />
budget deficit of 6% of Gross Domestic Product. There is no other<br />
mechanism that they could use anymore to hide expansion of debt that<br />
could be used to service said stealth debt, and they are, frankly,<br />
running out of assets that they can steal from the American people.</p>
<p>So the proverbial day of reckoning is coming. The Bush-Cheney regime<br />
(and I give them credit for this) are telling the American people<br />
what&#8217;s coming, knowing the American people are too stupid to<br />
understand. They are telling the American people about the re-<br />
institution of the Gold Confiscation Act and the sudden scrapping of<br />
the Treasury&#8217;s emergency post-collapse gold note scheme to maintain<br />
domestic liquidity.</p>
<p>David Walker, US Comptroller General and chief of the GAO has said<br />
that should the Bush-Cheney regime be re-ensconced into power and,<br />
hence, the scourge of Bushonomics persist, that the United States<br />
could no longer service its debt beyond 2009. They&#8217;re not hiding it<br />
from anybody anymore. They are telling you what&#8217;s happening. Now, what<br />
does that mean? The key is in what Walker is saying when he says the<br />
debt can no longer be serviced. I&#8217;ve been asked this on the radio<br />
shows. People have noticed what Walker said because he&#8217;s out in the<br />
news more often than he used to be. It&#8217;s unusual for the Comptroller<br />
General of the United States, which is a rather arcane position, to be<br />
out in the news so much.</p>
<p>It simply means that when he says the United States will no longer be<br />
able to sustain Bushonian budget deficits, he means that by 2009, if<br />
Bush-Cheney have a second term in office, the United States will be<br />
consuming 100% of the planet&#8217;s savings rate to finance Bushonian<br />
budget deficits.</p>
<p>Therefore, if the planet can no longer generate any more liquidity to<br />
lend to the United States, one of three things have to happen: A)<br />
There has to be a sudden and dramatic reduction in federal spending.<br />
There are only two places that can come from. There would have to be<br />
an immediate $100-billion cut in defense spending, which would end any<br />
hopes the Republicans had of getting into office for years to come<br />
because it would destroy any confidence the NFWCs (Naïve Flag Waving<br />
Crowd) had in them. Or you would have to scrap the multi-trillion-<br />
dollar Bushonian tax cuts for the Republican rich, something that&#8217;s<br />
equally unpalatable.</p>
<p>The other option, B, as Paul O&#8217;Neill mentioned, is a dramatic increase<br />
in the rate of federal income taxation from the current nominal rate<br />
of 28% to 65%, which is what the Treasury Department estimated would<br />
be required post-2009 to provide the U.S. Treasury with sufficient<br />
revenues to continue to service debt.</p>
<p>The third option, or C, becomes the declaration of a force majeure on<br />
credit service of U.S. Treasury debt by the United States Treasury,<br />
which is tantamount and would be accurately construed as de facto debt<br />
repudiation by the United States of America.</p>
<p>There are other signs to look for. They&#8217;re not going to happen now,<br />
but if Bush-Cheney is re-elected, you&#8217;ll begin to see more signs that<br />
the end is coming. I know a lot of people may disagree, but you wait<br />
and see. If Bush-Cheney has a second term, see if they do not<br />
institute some currency expatriation control. See if that doesn&#8217;t come<br />
in the way Nixon tried it in May-June of 1971.</p>
<p>In the second term, there will be some sort of currency expatriation<br />
control in the United States, but there will also be loopholes that<br />
will allow the large money to escape. The restrictions will apply to<br />
the 10- and 20-thousand-dollar people. It ain&#8217;t going to apply to the<br />
10- and 20-million-dollar people. It would be self-defeating to do<br />
that.</p>
<p>When that day comes, in other words, when the U.S. Treasury declares a<br />
force majeure on debt, it wouldn&#8217;t be broad-cast on mainstream media.<br />
There&#8217;s no sense because the American people don&#8217;t even understand<br />
what it means. But the announcement would actually be put on the<br />
Federal Reserve wire system, which would, of course, immediately be<br />
picked up by all media outlets anyway.</p>
<p>The U.S. Treasury would declare a force majeure on debt after the<br />
Asian and European markets closed, probably at 12:30 p.m. EDT. The<br />
reason why that hour was always selected is because Asian and European<br />
markets close. It&#8217;s also the lunch hour for the markets. It&#8217;s when<br />
you&#8217;re going to have the fewest people on the floor of the exchanges.<br />
That would be the ideal time to make such an announcement.</p>
<p>A few seconds after that announcement was made, all United States<br />
markets, both equities debt and commodities i.e., stock, bonds,<br />
commodities, that have trading collars or permissible daily limits<br />
would all be limit-offered with pools. Limit-offered means that there<br />
are more sellers at the limit i.e., limit down, than there are buyers.</p>
<p>So-called &#8216;pools&#8217; would immediately begin to form, probably a thousand<br />
contracts every few minutes. &#8216;Limit-offered with pools&#8217; &#8211; this is<br />
trader language. Pools to sell 2,000 lots, 3,000 lots. That means, the<br />
number of sellers over and above the available buyers at the limit-<br />
offered price. That would begin to build.</p>
<p>By 1:00, the news would begin to sink in because it would take awhile<br />
before panic selling would arise from the public. This news is being<br />
released at lunch hour.</p>
<p>A lot of the American people initially would not even understand the<br />
temerity of the news. You would see professional selling first, and as<br />
that professional selling intensified over the afternoon, the SEC, the<br />
CFTC, NASDAQ, and various market regulatory authorities would begin to<br />
institute certain emergency market protocols. This would be the<br />
installation of the so-called &#8216;declaration of fast market conditions,&#8217;<br />
for instance; the declaration of &#8216;no more stop orders,&#8217; the<br />
declaration of &#8216;fill at any price,&#8217; etc. in a desperate bid to<br />
maintain liquidity.</p>
<p>That first day, the Dow Jones Industrial Average and related indices<br />
on a percentage basis would lose about 20% of their value by the close<br />
of business that day. The real impact would come overnight when the<br />
American people found out what this was all about and when it was<br />
explained to them.</p>
<p>At 7:30 a.m. EDT, the Tokyo markets would open, and no price would be<br />
affixed for probably three or four hours into the session due to the<br />
avalanche of selling. Once prices were established, the government of<br />
Japan would close all of its financial markets. Europe would not even<br />
open. All European governments would close all capital exchanges the<br />
next day.</p>
<p>The United States would, in order to accommodate global electronic<br />
trading, attempt to open the market on the second day, which they<br />
would do, regardless of price, just to maintain some liquidity. At the<br />
end of Day Two, the Dow Jones and related indices, would have lost two<br />
thirds of their value, and prices would be set accordingly.</p>
<p>On Day Three, the New York Stock Exchange, the SEC and other related<br />
agencies would recommend to the United States Treasury and the Federal<br />
Reserve that all markets be closed. That would be on the morning of<br />
Day Three. Eleven a.m., the Federal Reserve would then order all<br />
domestic banks closed. All of the twelve Federal Reserve district<br />
banks would (30 minutes later) have special U.S. forces parachuted in<br />
and around them to secure whatever gold bullion reserves they had<br />
left.</p>
<p>Day Three, 9:00 p.m., the President of the United States would declare<br />
a state of martial law. All financial transactions would come to an<br />
end. The Treasury would act to formally de-monetize the U.S. dollar<br />
and declare it worthless.</p>
<p>This would be totally unprecedented. In the past, collapses have been<br />
temporary and have been brought back up. But what we&#8217;re talking about<br />
now is the end.</p>
<p>These protocols that I&#8217;m referring to aren&#8217;t even all that secret.<br />
They were publicly available all through the Clinton era. These are<br />
Treasury protocols that were instituted mostly in the late 1970s when<br />
the Treasury and Federal Reserve began to feel that it was important<br />
to have an emergency-collapse protocol in place.</p>
<p>What precipitated the timing of this was the inflationary spiral of<br />
the late 1970s. The U.S. Treasury and the Federal Reserve were both<br />
concerned that this inflationary spiral, which was occurring not only<br />
domestically but globally, might lead to a global, uncontrollable<br />
hyper-inflation that the Federal Reserve or major central banks could<br />
not stop by traditional means, i.e., by raising interest rates and<br />
contracting money supply.</p>
<p>There was also the recognition, of course, that global central reserve<br />
bank bullion inventories had been so depleted over the previous 30<br />
years that any re-institution of a species currency, even on a<br />
temporary basis, and even within a regional or individual nation-state<br />
basis, was no longer possible.</p>
<p>This is an analogy. In a military scenario, it&#8217;s like the President of<br />
the United States pushing the final red button &#8212; the commit button.<br />
The Treasury Secretary of the United States has a similar mechanism.<br />
It&#8217;s called the yellow button, the commit button. The Secretary of<br />
Defense has the same system. This is what happens. Computer program<br />
starts to institute these protocols. Imagine the complexity of trying<br />
the manage all this. I think it&#8217;s going to happen all simultaneously.<br />
There are hundreds of different agencies involved, both domestically<br />
and internationally. In order to maintain liquidity for as long as<br />
possible, it has to be extremely well-coordinated, and there must be<br />
existing collapse protocols that can be used.</p>
<p>The reason I was familiar with them was because I used to see the U.S.<br />
Treasury 6900 Series Collapse Protocol, 6903, 6904 there&#8217;ll be A, B,<br />
and so on which keyed in to the Department of Defense to be<br />
incorporated within the Department of Defense&#8217;s own World War III<br />
scenario and various types of military/ political/ social instability/<br />
war/ pestilence, chaos, etc. scenarios.</p>
<p>All federal agencies had individual collapse protocols that ultimately<br />
got coordinated through the Department of Defense. Obviously, the<br />
Department of Defense would be the ultimate coordinator because it<br />
would need to have special forces available, on a stand-by basis,<br />
ready, that could quickly parachute into areas all over the country,<br />
into the cities particularly, to secure federal properties and assets.</p>
<p>And that&#8217;s literally how it would begin. By the end of the third day,<br />
it would be all over &#8212; a state of martial law. We&#8217;re not talking<br />
about war, now; this is just economic collapse.</p>
<p>There&#8217;s no military implication here, no political, no social<br />
implication or policy directive thereunto. This is strictly economic<br />
collapse. By the end of Day Three, effectively, all banks in the world<br />
will be shut down, all paper currencies will become valueless. Martial<br />
law would be declared. There would be no continuing transactions, at<br />
least for a period of time, of commodities. All providers of fuels and<br />
foods would be shut down automatically.</p>
<p>They have this in great detail too. U.S. Department of Defense Special<br />
117th Assault Unit would parachute in to seize control of the cattle<br />
yards in Oklahoma City. This is how well it&#8217;s planned. In other words,<br />
economic collapse would automatically involve expansive military<br />
action and control.</p>
<p>By the end of the third day, when you no longer have a domestic medium<br />
of exchange, you have to have secured food and fuel stocks. You&#8217;ve got<br />
to have troops that have secured distribution points where there is<br />
food and fuel stocks, warehouses, tanks, etc. Otherwise people are<br />
just going to go get them, and the people have to know that if they<br />
try to go break into that store and steal that loaf of bread, they&#8217;re<br />
going to be shot.</p>
<p>Protocols for environmental disasters are called &#8216;scaling-circle<br />
scenarios.&#8217; &#8216;Scaling circles&#8217; is a Department of Defense euphemism.<br />
It&#8217;s also used in FEMA, OEM and other emergency management services.<br />
In environmental catastrophes, which are going to become national or<br />
global, it&#8217;s got to start someplace. It&#8217;s going to start in one very<br />
small, specific area. Therefore what happens is that the immediate<br />
force containment is the greatest in the first circle, to try to<br />
contain the spread of the disaster and keep it within that circle.</p>
<p>The environmental problem, to whatever extent it&#8217;s possible, before it<br />
spreads, will be neutralized or mitigated, in order to keep that<br />
catastrophe within that circle, or, if it is likely that it is to<br />
escape that circle, to attack whatever it is in such a fashion as to<br />
mitigate its strength and its ability to contaminate or otherwise<br />
affect other areas.</p>
<p>In the case of earthquakes, for instance, affecting the west coast,<br />
beginning at Mt. Rainier and moving southward &#8212; that&#8217;s a different<br />
type of scenario. That does not include as much Department of Defense<br />
involvement. It includes separate protocols, wherein mostly FEMA and<br />
OEM act as the senior coordinating agencies between municipal, county<br />
and state disaster and containment, which is called Disaster and<br />
Containment Units. Federal troops would only be brought in for the<br />
purposes of maintaining control.</p>
<p>In a military or economic collapse situation, National Guard units<br />
would provide any spare help they could in combating whatever the<br />
problem is. Federal troops would be used in order to have the specific<br />
authority simply to shoot anyone. There are plans for all sorts of<br />
scenarios. The economic-disaster scenario is the one I always found<br />
the most intriguing because it is the one that is least understood by<br />
the American people.</p>
<p>Military control would be necessary when lines begin to form at the<br />
banks, people trying to access their money. But that wasn&#8217;t even<br />
anticipated as a big problem. Lines would form at the banks, but it<br />
was not even envisioned until sometime on Day Three because the<br />
American people wouldn&#8217;t get it. It would be announced that the stock<br />
markets are down 2000 or 3000 points, and since we&#8217;ve always been<br />
taught they&#8217;ll come back, the people would still be buying stocks.</p>
<p>You could count on everybody remaining in ignorance all the way down<br />
because the American people have never been taught Economics 101. The<br />
American people wouldn&#8217;t realize the full extent of it until the<br />
markets were closed on the third day, or until the time when they went<br />
down to cash a check and the bank was closed with soldiers out in<br />
front. Then they would go down and see the gas station&#8217;s closed. They<br />
see the local supermarket has been shuttered, and there&#8217;s federal<br />
troops in front of it. Then they might begin to catch on. And remember<br />
&#8211; it&#8217;s not just federal troops. In emergency-collapse protocols, even<br />
before the declaration of a formal state of emergency or a state of<br />
martial law, the local military authorities within any given county or<br />
jurisdiction have the ability to essentially militarize anyone, that<br />
is, any civilian. This would be more than just deputizing civilians.<br />
It&#8217;s federal. In other words, they would have the ability to<br />
militarize and give military authority to a civilian force. This would<br />
include not only police and the sheriffs and state police, but all<br />
local law enforcement that exists below the state level would be<br />
immediately militarized. They wouldn&#8217;t take just anybody like they did<br />
in Iraq. It would be like the military when they call for volunteers.<br />
Then they&#8217;d have everybody and their brother-in-law volunteering,<br />
waving around the American flag and so on.</p>
<p>You&#8217;ve got a lot of pickup-driving guys in this country with the gun<br />
racks in the back and the Confederate flag flying. So you start waving<br />
the American flag in front of their face and say, Hey, you&#8217;re going to<br />
get your chance you always wanted &#8212; to fit your potbelly inside an<br />
army uniform and carry a gun and shoot people. How appealing would<br />
that be?</p>
<p>And besides, if you do this, then you&#8217;re going to get to eat.</p>
<p>In other words, this is how it would unfold over three days, but, in<br />
fact, very few Americans would know what to do about it or how to take<br />
any precautions. They wouldn&#8217;t have a clue because they don&#8217;t<br />
understand enough about economics to know what is happening. So that&#8217;s<br />
what it is &#8212; Economic Armageddon. If the Bush-Cheney regime is re-<br />
installed into power, that is effectively what Comptroller General<br />
David Walker is saying.</p>
<p>In conclusion, since there is very little the people of the United<br />
States can do to protect themselves. We&#8217;re not going to make any<br />
suggestions of how to protect yourselves because there&#8217;s very little<br />
you can do.</p>
<p>We could tell you to go out and buy gold coins and bury them in the<br />
coffee can in the back yard and go to your nearest survivalist store,<br />
but, frankly, that&#8217;s useless. In the last analysis, it&#8217;s a lot of<br />
hype. There is very little the average US citizen could do.</p>
<p>The only thing that can prevent this, as the Comptroller alluded to<br />
when he was asked by Barbara Walters, How do we prevent reaching the<br />
problem by 2009? He said simply, &#8220;A change of regimes.&#8221;</p>
<p>So how do you prevent it? Don&#8217;t vote for Bush and Cheney &#8212; and hope<br />
that Bush does not use his emergency powers to cancel or postpone the<br />
election by edict, powers which you, the flag-waving citizens, have<br />
given him.</p>
<p>All flag-waving citizens, be warned. If you want to vote for Bush-<br />
Cheney again, make sure you got plenty of Spam on hand.</p>
<p>Here&#8217;s an interesting and humorous aside. A couple of days ago, Hormel<br />
Foods, which makes Spam, announced that in the last six months there<br />
have been record sales of Spam in the United States the survivalists&#8217;<br />
food of choice. After all, they pride themselves on the fact, as the<br />
spokesman for Hormel said, &#8220;It is the only food product you can buy<br />
with an expiration that&#8217;s 50 years.&#8221;</p>
<p>When everything goes to hell, when all that man has created has turned<br />
to dust again, the final legacy is going to be Spam. It will be the<br />
last surviving item &#8212; when the anthropologists of 20 thousand years<br />
from now are digging sites and they see these enormous mountains of<br />
unopened cans of Spam They&#8217;ll have monuments to the past out of Spam.</p>
<p>So if Bush-Cheney has a second term in office, there will be some sort<br />
of currency restriction, like Nixon did in 1971. On April 13, 2004,<br />
Deputy Assistant Treasury Secretary John Boine talked about potential<br />
currency restrictions. He used the word that&#8217;s going to fuel the<br />
flames of the survivalist and gloom-and-doom collapse people.</p>
<p>It&#8217;s very, very telling that the U.S. Treasury may institute a<br />
restriction on the amount of U.S. dollars that can be converted into<br />
gold.</p>
<p>Furthermore, he intimated (and I suspected that this was coming,<br />
although this wouldn&#8217;t actually become law until Bush-Cheney was in<br />
office for second term one way or another) that the Bush-Cheney regime<br />
determines that the Gold Confiscation Act gives to Treasury the power<br />
for so-called forced disclosure of gold holdings.</p>
<p>I&#8217;m not quite sure of the language of the Gold Confiscation Act from<br />
1933. It just says, &#8220;compelled&#8221;, as in citizens are lawfully compelled<br />
to redeem gold for script. I don&#8217;t think there was any such provision,<br />
which he was inferring that there is. That was FDR&#8217;s &#8220;Raw Deal&#8221; of<br />
1934, when people were coerced into giving up their gold. But nowhere<br />
in this act does it specifically authorize the Treasury to mandate<br />
citizens to report their gold holdings. So if this gets any press at<br />
all, particularly within the circles of gold bugs and so on, watch<br />
out.</p>
<p>Furthermore, on Washington Journal they were talking about how FEMA<br />
has recommended to the Office of Homeland Security to have increased<br />
restrictions regarding citizen hoarding of long-term food and fuel<br />
supplies. That&#8217;s pretty sinister too.</p>
<p>What they&#8217;re talking about is the purchase of long-term so-called<br />
stores of survival food. FEMA was talking about some sort of<br />
restriction preventing people from accumulating food stores; putting<br />
it simply, that&#8217;s what it means. The second point was to increase<br />
restrictions that already exist.</p>
<p>FEMA was recommending even tighter restrictions on citizens building<br />
their own private property underground storage tanks for the purposes<br />
of long-term storage of fuel. The real intent of this is is threefold:<br />
a) to restrict citizens&#8217; ability to hoard food; b) restrict citizens&#8217;<br />
ability to hoard long-term storage of fuel; c) the forced<br />
identification of citizens to reveal food and fuel stocks they may be<br />
hoarding.</p>
<p>And that, in my opinion, is the real essence. The Bush-Cheney regime<br />
was scared of having the FEMA angle put into the equation because they<br />
knew what it means and how people would interpret it.</p>
<p>They have tried to use environmental legislation to restrict people&#8217;s<br />
ability to build fuel storage facilities on their own property &#8212; to<br />
get around what the true intent of that was.</p>
<p>But the bigger picture is that if you start to limit citizens&#8217; ability<br />
to hoard fuel and food and shake them up by potential forced<br />
identification of gold holdings or forced redemption.</p>
<p>In other words, what you don&#8217;t want is citizens who have the ability<br />
to store a lot of food and fuel and to own gold because they would be<br />
able to resist state control in the future.</p>
<p>You&#8217;ve got to have every citizen on a rationing card to control the<br />
civilian population. You can&#8217;t have citizens out there hoarding food<br />
and fuel because then people can say to government,&#8221;I ain&#8217;t taking a<br />
rationing card, baby, with my national ID card. I don&#8217;t have to. You<br />
can&#8217;t control me through food and fuel and ever-worthless paper<br />
currency.&#8221;</p>
<p>I used to make fun of these people. But now, things have come full<br />
circle on this debate. The Bush-Cheney regime is making it<br />
increasingly clear through their small changes in policy. Not a lot of<br />
people monitor these decisions, but I do. And the pattern is becoming<br />
increasingly clear.</p>
<p>In fact, I would believe that those of the survivalist mentality (the<br />
food, fuel, the gold coins in the coffee can in the back yard) people<br />
who think that way will be ultimately vindicated &#8211; if George Bush has<br />
a second term in office.<br />
People should quit making fun of them because they would be vindicated<br />
- even though they were all burned out, twenty-dollared to death,<br />
buying books and tapes, and discredited by mainstream media. It may<br />
sound like a hollow victory, but it won&#8217;t be a hollow victory for them<br />
- them that&#8217;s got the Spam&#8230;</p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/68/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/68/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/68/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/68/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/68/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/68/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/68/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/68/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/68/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/68/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=68&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/25/food-for-thought-that-may-make-you-paranoid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>First-Ever WGA Silverdocs Documentary Screenplay Award Goes to Writer-Director Anna Broinowski for Forbidden Lie$</title>
		<link>http://lniggl.wordpress.com/2008/06/24/first-ever-wga-silverdocs-documentary-screenplay-award-goes-to-writer-director-anna-broinowski-for-forbidden-lie/</link>
		<comments>http://lniggl.wordpress.com/2008/06/24/first-ever-wga-silverdocs-documentary-screenplay-award-goes-to-writer-director-anna-broinowski-for-forbidden-lie/#comments</comments>
		<pubDate>Tue, 24 Jun 2008 18:02:42 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[environment and current events]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=67</guid>
		<description><![CDATA[LOS ANGELES &#8212; The Writers Guild of America, West and the Writers Guild of America, East have named writer-director Anna Broinowski as the winner of the first-ever WGA SILVERDOCS Documentary Screenplay Award for her film Forbidden Lie$, presented at Saturday night&#8217;s awards ceremony at the AFI Silver Theater in Silver Springs, MD. The honor goes [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=67&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span class="pressheadline"></p>
<p></span>LOS ANGELES &#8212; The Writers Guild of America, West and the Writers Guild of America, East have named writer-director Anna Broinowski as the winner of the first-ever WGA SILVERDOCS Documentary Screenplay Award for her film <em>Forbidden Lie$</em>, presented at Saturday night&#8217;s awards ceremony at the AFI Silver Theater in Silver Springs, MD. The honor goes to the qualifying screenwriter of a feature-length film who demonstrates screenwriting excellence in the documentary genre.</p>
<p>“The Writers Guilds are proud to be the sponsors of this new award, which highlights the fact that many compelling documentaries are indeed written and include a story structure. While nonfiction writers are honored through our own annual Writers Guild Awards, we also felt it was important for them to receive recognition at the SILVERDOCS film festival,” commented WGAW President Patric M. Verrone.</p>
<p>&#8220;The art of writing documentaries is one often overlooked and underappreciated in the entertainment world. We are thrilled that this new WGA Award at SILVERDOCS will recognize those who work so diligently and creatively to enhance the imagery of non-fiction film with their well-crafted words and ideas,” added WGAE President Michael Winship.</p>
<p>“SILVERDOCS is honored to work with the WGA to recognize the art and craft of screenwriting in documentary, a critical element in shaping non-fiction storytelling,” said SILVERDOCS Festival Director Patricia Finneran.</p>
<p><em>Forbidden Lie$</em> investigates accusations that <em>Forbidden Love</em> author Norma Khouri fabricated her biographical tale of a Muslim friend who was murdered for dating a Christian. Broinowski&#8217;s documentary also recently won the Australian Film Institute&#8217;s Best Documentary Award.</p>
<p>The WGA SILVERDOCS Documentary Screenplay Award carries with it a prize of $2,500 and the winner will be granted membership, free of charge for the first year, in the WGAW Nonfiction Writers Caucus or WGAE Nonfiction Writers Caucus.</p>
<p>Nominees for this year&#8217;s WGA Documentary Screenplay Award at SILVERDOCS 2008 were:</p>
<p><em>DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER</em> &#8211; Writer, Director, Composer <strong>Kurt Kuenne</strong></p>
<p><em>FORBIDDEN LIE$</em> &#8211; Written and Directed by <strong>Anna Broinowski</strong></p>
<p><em>GONZO: THE LIFE AND WORK OF HUNTER S. THOMPSON</em> &#8211; Screenplay by Alex Gibney; From the Words of Hunter S. Thompson</p>
<p><em>IN THE FAMILY</em> &#8211; Written, Produced and Directed by <strong>Joanna Rudnick</strong></p>
<p><em>I.O.U.S.A.</em> &#8211; Written by <strong>Patrick Creadon, Christine O&#8217;Malley</strong>, and <strong>Addison Wiggin</strong>; Story by <strong>Addison Wiggin</strong> and <strong>Kate Incontrera</strong></p>
<p><em>LETTER TO ANNA</em> &#8211; Written and Directed by Eric Bergkraut, Coauthor: Therese Obrecht Hodler</p>
<p><em>LUCIO</em> &#8211; Script and Direction by <strong>Jose Mari Goenaga, Aitor Arregi</strong></p>
<p>To be eligible for this Award, SILVERDOCS documentaries were required to meet the following criteria: Writer(s) must have received an approved onscreen screenwriting credit, and a script must be submitted for consideration, i.e., a screenplay or transcript.</p>
<p>In recent years, the Guilds have increased their outreach and organizing efforts to build a strong community of nonfiction writers, with an aim to bring more documentaries under WGA contracts.  The WGA&#8217;s Documentary Screenplay Contract enables writers to write and sell documentary screenplays using partial or completely deferred fees while receiving Writers Guild benefits and protections. Questions regarding joining the Writers Guild through documentary work may be directed to the WGAW&#8217;s Kay Schaber Wolf at (323) 782-4731 or email: <a href="http://lniggl.wordpress.com/wp-admin/ContactUs/ContactUs.asp?Email=IndieProgram" target="_blank">Indie Program</a> and also the WGAE&#8217;s Alexis DiVincenti at (212) 767-7800.</p>
<p>This season, SILVERDOCS 2008 presented a total of 108 diverse films, representing 63 countries selected from 1,861 submissions with six World, eight North American, six U.S. and seven East Cost premieres, as well as two retrospective programs. Now in its sixth year, SILVERDOCS and its concurrent International Documentary Conference honors excellence in filmmaking, supports the diverse voices and free expression of independent storytellers and celebrates the power of documentary &#8211; past, present, and future &#8211; to enhance the understanding of the world. At this year&#8217;s week-long festival, a wide range of documentary films from around the globe screened in six distinct sections: U.S. Feature Competition, World Feature Competition, Best Music Documentary, Silver Spectrum (formerly known as World View), Short Films, and <em>1968 and Beyond</em>, a special thematic sidebar added for 2008. Additional information about SILVERDOCS is available at <a href="http://www.silverdocs.com/" target="_blank">www.silverdocs.com</a>.</p>
<p>The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) represent writers in the motion picture, broadcast, cable, and new media industries in both entertainment and news.</p>
<p>For more information about the Writers Guild of America, West, please visit www.wga.org; for more information about the Writers Guild of America, East, please visit: www.wgaeast.org.</p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/67/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/67/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/67/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/67/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/67/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/67/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/67/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/67/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/67/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/67/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=67&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/24/first-ever-wga-silverdocs-documentary-screenplay-award-goes-to-writer-director-anna-broinowski-for-forbidden-lie/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>2008 Board of Directors Election Noticen &#8211; WGA</title>
		<link>http://lniggl.wordpress.com/2008/06/24/2008-board-of-directors-election-noticen-wga/</link>
		<comments>http://lniggl.wordpress.com/2008/06/24/2008-board-of-directors-election-noticen-wga/#comments</comments>
		<pubDate>Tue, 24 Jun 2008 18:01:46 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[environment and current events]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=66</guid>
		<description><![CDATA[Each year the Guild conducts an election for eight of the 16 seats on the Board of Directors.   The election cycle starts in the spring, when the Board appoints a nominating committee that will select candidates for the September election. The committee selects at least two candidates for each of the eight Board seats. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=66&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Each year the Guild conducts an election for eight of the 16 seats on the Board of Directors.<br />
 <br />
The election cycle starts in the spring, when the Board appoints a nominating committee that will select candidates for the September election. The committee selects at least two candidates for each of the eight Board seats. It will seek potential candidates from the various work areas within the Guild&#8217;s jurisdiction: features, episodic and long-form television, animation, reality, nonfiction, made-for-pay TV and made-for-basic cable, interactive, comedy-variety, daytime serials, new media, news and documentaries.</p>
<p>The Guild encourages members to participate in the nomination process. You are invited to suggest names of prospective Board candidates, including your own. The nominating committee will consider all prospective nominees suggested by members. Eligible candidates must be Current members in good standing for the 12 months immediately preceding the September 2008 election (Constitution, Article V.A.§5.a.). Successful Board candidates will be elected for two-year terms. In order to be considered for candidacy by the nominating committee, members&#8217; names must be received by Jennifer Burt at the Guild, 7000 W. Third St., Los Angeles, CA 90048, by Thursday, May 15, 2008. Names may also be faxed to Ms. Burt at (323) 782-4801, or emailed to <a href="http://lniggl.wordpress.com/wp-admin/ContactUs/ContactUs.asp?Email=Burt" target="_blank">Jennifer Burt</a>. The nominating committees will make its selections by June 18, 2008.</p>
<p>In addition to selection by the nominating committee, eligible members may also run for a Board seat by petition (Constitution, Article V.A.§4.). Petitions for Board candidates must be signed by 25 or more Current members in good standing. The signed petitions must be received by Ms. Burt on or before Monday, July 21, 2008. Each candidate&#8217;s name must appear on each page of a petition containing members&#8217; signatures. Fax signatures are acceptable.</p>
<p>If you have questions about the Guild&#8217;s election process, call Ms. Burt at (323) 782-4569. You can have a significant impact on the governing body of your Guild, and we welcome your active participation.</p>
<p><a href="https://www.wgaw.org/Election/PetitionVote.aspx">Submit nomination petition online</a><br />
<a href="http://lniggl.wordpress.com/wp-admin/uploadedfiles/if_you_are_a_member/2008_petition.pdf">Download petition form</a> <span style="font-size:xx-small;">(.pdf)</span></p>
<p><!--/Ektron CMS FormBlock--></p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/66/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/66/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/66/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/66/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/66/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/66/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/66/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/66/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/66/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/66/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=66&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/24/2008-board-of-directors-election-noticen-wga/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
		<item>
		<title>From the Computer Screen to the TV Screen</title>
		<link>http://lniggl.wordpress.com/2008/06/24/from-the-computer-screen-to-the-tv-screen/</link>
		<comments>http://lniggl.wordpress.com/2008/06/24/from-the-computer-screen-to-the-tv-screen/#comments</comments>
		<pubDate>Tue, 24 Jun 2008 17:57:03 +0000</pubDate>
		<dc:creator>lniggl</dc:creator>
				<category><![CDATA[environment and current events]]></category>

		<guid isPermaLink="false">http://lniggl.wordpress.com/?p=65</guid>
		<description><![CDATA[In the LA Times (Monday June 16) Scott Collins wrote an insightful piece on Hulu, NBC Universal and News Corporation&#8217;s online video joint venture. The occasion was the addition of Comedy Central’s Daily Show to the Hulu roster. As he points out, the greater significance of that appearance is that it inaugurates a relationship with [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=65&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a id="616" name="616"></a></p>
<p>In the <em>LA Times</em> (Monday June 16) Scott Collins wrote an insightful piece on Hulu, NBC Universal and News Corporation&#8217;s online video joint venture. The occasion was the addition of Comedy Central’s <em>Daily Show</em> to the Hulu roster. As he points out, the greater significance of that appearance is that it inaugurates a relationship with Viacom. If Hulu wants to be the “department store” for video on the web, new partners are the metric of success to watch. Collins also helpfully assesses another important metric of success for a video site, which is depth of content. Hulu’s 700 titles are only a start at what they will need to develop a habit among viewers for dropping in. </p>
<p>If Collins misses anything it is in his contrast of Hulu on the computer with the TV set. These are not the competitors he poses, but rather stops along an evolutionary path. For replays of traditional media content, computer viewing is just the first incarnation of Internet delivery and it may not be the most significant one. As Apple TV and the new Roku Netflix set top box demonstrate (with pay television business models), the next step for the Internet is migration from the computer screen to the TV screen. This process is one writers need to be keenly aware of. When Hulu, and other services like it, compete with cable-based Video On Demand on the TV set they will move from the minor leagues to the majors. Under the Guild’s new Minimum Basic Agreement, ad-supported VOD via cable or via Hulu to the computer, or eventually to the set top, will pay 1.2% of distributor’s gross receipts for feature films produced after July 1, 1971 and 2.0% of distributor’s gross receipts for television programs produced after 1977 (and a small number produced prior to 1977). Great potential is there for reuse of network and studio libraries on current and future digital platforms—and thanks to writers’ resolve it will be covered by our new contract.</p>
<p>Read the article: <a href="http://www.latimes.com/entertainment/la-et-channel16-2008jun16,0,1733921.story" target="_blank">http://www.latimes.com/entertainment/la-et-channel16-2008jun16,0,1733921.story</a></p>
<br /><img alt="" border="0" src="http://feeds.wordpress.com/1.0/categories/lniggl.wordpress.com/65/" /> <img alt="" border="0" src="http://feeds.wordpress.com/1.0/tags/lniggl.wordpress.com/65/" /> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/lniggl.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/lniggl.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/lniggl.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/lniggl.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/lniggl.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/lniggl.wordpress.com/65/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/lniggl.wordpress.com/65/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/lniggl.wordpress.com/65/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=lniggl.wordpress.com&amp;blog=3619503&amp;post=65&amp;subd=lniggl&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://lniggl.wordpress.com/2008/06/24/from-the-computer-screen-to-the-tv-screen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/74ae26d8bf74cac95c6d39a4b6bc5b56?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">lniggl</media:title>
		</media:content>
	</item>
	</channel>
</rss>
